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Chris Massey & The NJP: Whosoever
by Dan Bilawsky
Drummer Chris Massey's debut--Vibrainium (Self Produced, 2011)--was an Art Blakey-influenced quintet date that put a modern slant on the hard bop tradition; this follow-up follows the same guidelines, but puts a greater emphasis on the modern. Massey tips his cap to those who came before him by including an always-in-style standard ("Old Devil ...
A New Matthew Shipp Thirsty Ear Release Is Slated For Fall 2013
On Wednesday February 20, pianist/composer Matthew Shipp recorded his next Thirsty Ear record, Piano Sutras, at Park West Studios in Brooklyn. Jim Clouse was the recording engineer and Thirsty Ear owner Peter Gordon was the producer. It's a solo piano recording of originals by Mr. Shipp plus a couple of standards. Shipp said, “I continue to ...
Take Five With Paul Zaborac
by AAJ Staff
Meet Paul Zaborac:Paul Zaborac is a versatile saxophonist, composer, and educator. Born in Des Moines, Iowa in 1987, he began studying the saxophone at the age of 11. After receiving a bachelor degree in music education from Simpson College (2010), he proceeded to obtain a master of music degree in saxophone performance at the ...
The Feelin's Good
by Greg Simmons
The mists of time have a way of obscuring the motives behind people's decisions. “What were they thinking?" and “It must have seemed like a good idea at the time" must be among the most universal human sentiments. In the music business, a session gets recorded, and often it gets released, but occasionally it doesn't. Sometimes ...
Chris Potter: The Sirens
by Ian Patterson
Saxophonist Chris Potter has consistently shown a deep feeling for jazz tradition and a willingness to modernize his vocabulary at the same time. The lyricism of Lester Young, the fearlessness of Charlie Parker, the keening spiritualism of John Coltrane and the tireless creativity of Sonny Rollins all inspire him, as do funk, electric set-ups and classical ...
Marcos Pin Factor-E Reset: Barbanza
by Ian Patterson
Galician guitarist Marcos Pin has recorded in trio or quartet settings for a decade, so the dectet that interprets Barbanza represents a significant change in his modus operandi. Judging by the results though, you'd think he'd been composing for larger ensembles from the get go. Inspired by the Barbanza region of Galicia in north-west Spain, you ...
Getting Closer to the Dream
by Christopher Mote
[Editor's Note: All About Jazz, Hidden City Philadelphia, and the Preservation Alliance for Greater Philadelphia have collaborated to present a series of articles on the local jazz scene that John Coltrane inhabited, developed in, and ultimately transcended between 1943 and 1958, when he called the city home.] In some ways, John ...
Lee Tomboulian: Imaginarium
by Bruce Lindsay
Terry Gilliam's 2009 movie The Imaginarium of Doctor Parnassus was a complex, complicated, fantasy tale. Lee Tomboulian's Imaginarium doesn't quite match Gilliam's ambitious, if flawed, breadth of vision--after all, Tomboulian constructs this particular Imaginarium with just a piano and an occasional accordion--but he still displays an impressive range of ideas on this enjoyable recording.Tomboulian ...
Charles Lloyd: Quartets
by John Kelman
ECM's Old & New Masters Edition series was not just created to bring material back into print. Some has been available on CD before, but an even bigger carrot for fans of the label is material that has never been on compact disc, like bassist Arild Andersen's three 1970s recordings, collected on Green in Blue (2010), ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
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