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Marcus Miller: Miles Davis, Milestones
by William Ellis
Miles at his height in the '50s before jazz took another turn, Milestones (Columbia, 1958) was--along with the other Miles records of this period--really at the height of the elegant era of jazz. Then it went somewhere else that was equally amazing. But I really love the combination of soulfulness and intelligence with which ...
Workin' II - Irish Jazz Showcase: Dublin, Ireland, May 26, 2013
by Ian Patterson
Workin' II: Irish Jazz ShowcaseWorkman's ClubDublin, IrelandMay 26, 2013Where do you go to see Afro-Peruvian jazz, an 18-piece Sun Ra tribute band, neo-soul, vocal jazz, trios, quartets and electronic music with live horn processing, all on the same day? The Workman's Club in Dublin, Ireland, of course. Workin' II, a mini-festival ...
Take Five With Roswitha aka Rose Bartu
by AAJ Staff
Meet Roswitha aka Rose Bartu aka Queen Rose:Originally from Austria, Roswitha is a singer/songwriter, violinist, and producer. On her latest album, Destiny, the renowned jazz and classical artist lives her own dreams, making the bold move to step out as a singer/songwriter. Here, she embraces her total musicality and tastefully integrates her instrumental virtuosity ...
Michael Feinberg: The Elvin Jones Project
by Dave Wayne
Electronic boops and beeps are the first thing you hear on bassist Michael Feinberg's The Elvin Jones Project. This could either be a good sign or a bad one. Fortunately it's the former, and it acts as an effective reminder that drummer Elvin Jones was a pioneering and exploratory musician whose legacy extends well beyond his ...
Moss Project: What Do You See When You Close Your Eyes?
by Bruce Lindsay
As Bo Diddley so wisely stated, You can't judge a book by looking at the cover." Moss Project's What Do You See When You Close Your Eyes? may look like a book, and a very beautiful one at that. It may feel like a book--it may even smell like a book. But it's a CD. Actually, ...
Chris Greco Quartet: Trane Of Thought
by Dan Bilawsky
This record isn't an out-and-out tribute to saxophonist John Coltrane. The title--and title track--may suggest that it's all about that legendary figure, and the album-ending Soul Eyes" serves as a secondary nod of affirmation, but saxophonist/multi-reedist Chris Greco doesn't just plant his flag on Coltrane's domain and call it a day. Sure, he delivers probing and ...
John O'Gallagher and Jeff Williams: In a Whirlwind
by C. Michael Bailey
Here's to avant-garde jazz. Unruly and ill-behaved, the seeds planted by saxophonists Ornette Coleman and John Coltrane, and carried forward by reed multi-instrumentalist Anthony Braxton and melded with trumpeter Miles Davis' post bop, gave rise to a brand of jazz that, while not the complete chaos of free jazz, nevertheless possessed such an inventive spirit that ...
The Dixie Ticklers: Standing Pat
by Chris Mosey
The revival of traditional jazz in Britain in the 1950s began in a blaze of idealism. In the following decade, it degenerated into an undignified scramble for commercial success. The Dixie Ticklers, a London-based sextet, want nothing to do with Trad. Their principal influences might be Louis Armstrong's Hot Five, Jelly Roll Morton ...
A Great Day in Harlem: The Spirit Lives - 50 Years On
by Ian Patterson
This encore presentation from January 2009 celebrates Jean Bach, director of A Great Day in Harlem. Ms. Bach died on May 27th at her home in Manhattan. She was 94.It is probably the most celebrated ensemble jazz portrait of all time. Fifty-seven of the greatest jazz musicians gathered together on the steps of a ...
Nicolas Masson / Roberto Pianca / Emanuele Maniscalco: Third Reel
by John Kelman
Few would argue that, while the standard touchstones of contemporary jazz--names like saxophonist John Coltrane, pianist Bill Evans, bassist Charles Mingus, and trumpeter Miles Davis--remain amongst the many cited when contemporary artists are asked for their influences, younger influences have also emerged in the new millennium, names like saxophonist Chris Potter, guitarist Kurt Rosenwinkel and pianist ...





