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Teodross Avery: After the Rain: A Night for Coltrane
by Jakob Baekgaard
All modern saxophonists worth their salt relate to John Coltrane in one way or another. Coltrane pushed boundaries and showed new paths in music and never stopped searching. Fortunately, new generations have been ready to take over and pick up on the lessons Coltrane taught. One of them is saxophonist Dr. Teodross Avery. ...
Howard University Jazz Ensemble: HUJE 2018
by Jack Bowers
One sure sign of spring is the arrival of the latest yearly recording by the superb Howard University Jazz Ensemble, a tradition that dates without pause from the days of vinyl in 1976, one year after the ensemble was formed by its first and only music director, Fred Irby III. For archivists and numbers-crunchers, that's forty-four ...
Anoushka Shankar: Reflections
by Nenad Georgievski
Over twenty years, Anoushka Shankar has grown into one of the world's leading sitarists. She has long been omnivorous in her musical tastes and this has resulted in a journey without borders. A daughter and student of the late Ravi Shankar, who almost single handedly introduced Indian music to Western musicians and audiences, she has nonetheless ...
Joris Teepe: In The Spirit Of Rashied Ali
by Mike Jurkovic
Taking Elvin Jones' vaunted place in John Coltrane's eternal journey beyond the expected, Rashied Ali's mutable, intuitively malleable sense of time, at once both visceral and disembodied, propelled the saxophonist further into his explorations of music as a free, transcendent, spiritual entity. Although he continued to innovate with Alice Coltrane and Archie Shepp and influence musicians ...
John Coltrane: Coltrane '58: The Prestige Recordings
by Mike Jurkovic
Sure these 37 tracks, predominantly standards, blues, and ballads have been released before on such earlier, pre-iconoclast recordings as Black Pearls, Soultrane, Bahia, and Setting The Pace, (Prestige, 1958) but never as chronologically curated as they are presented here on Coltrane '58: The Prestige Recordings. Certainly an argument can be made that they may ...
John Beasley: Master of All Trades
by Jim Worsley
In today's busy world, sometimes you just can't do it all. Apparently, John Beasley never received that memo. The pianist, composer, arranger, producer, music director, and film and TV composer is in high demand, and has an enormity of projects that would seem to belie the twenty-four hour day reality. It is perhaps the variance in ...
CTI on BGO, Part 2
by Jakob Baekgaard
2018 proved to be a very good year for reissues of CTI-albums on the British label, BGO. They stepped up with an abundance of albums from the likes of guitarist Jim Hall, saxophonist Stanley Turrentine and flautist Hubert Laws (you can read about them here). So far, 2019 also looks promising and kicks off with releases ...
Milder - Ljungkvist - Landæus - Augustson - Rundqvist: The Music Of Anders Garstedt
by Angelo Leonardi
Non era il debole sole del Nord ad animare la musica di Anders Garstedt ma un coinvolgimento nel modern mainstream anni cinquanta, sia statunitense che europeo. Parliamo al passato perchè il trombettista svedese è scomparso a soli trentun anni nel 2000. Era nato a Karlstad la città prospicente il lago Vänern e dopo aver studiato il ...
Aaron Rimbui: Nairobi to New York City
by Seton Hawkins
Kenya is noted for an extraordinary array of musical offerings yet its jazz scene has historically been quite slim. However, Nairobi-born pianist Aaron Rimbui may change that dynamic. Drawing on the musical traditions of Kenya and East Africa, Rimbui has established a singular and absolutely arresting approach to jazz piano. With several ...
Kenny G: Playin' It Straight
by Ken Dryden
Kenny G has been categorized as a jazz musician by record companies simply because he plays saxophone. The reality is that his style is actually banal pop consisting of repetitious melodies with short passages of bland improvisation and, occasionally, long-held notes to show off his grasp of circular breathing—a technique Clark Terry and Rahsaan Roland Kirk ...
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