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ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 ECM at 40. It's hard to believe that a record label responsible for stretching the boundaries of modern music has survived the various crises that have threatened and, in some cases, decimated so many others. With Enjoy Jazz's “The Blue Sound: 40 Years ...
Enjoy Jazz Festival: Days 1-2, October 20-21, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 Situated along the Neckar River in the central part of Germany, Heidelberg may seem like an unlikely place for a six-week jazz festival in the middle of the fall each year. But Enjoy Jazz, now in its eleventh year, has been bringing an ...
The Blue Sound – 40 Years of ECM at Enjoy Jazz and More
The Blue Sound – 40 Years of ECM At Enjoy Jazz – 11th International Festival for Jazz and More As a main programmatic feature this year, the International Festival for Jazz and More, Enjoy Jazz, will present a special festival to commemorate 40 years of the ECM label. From the 22 to 25 October, ...
John Abercrombie: Wait Till You See Her
by Francis Lo Kee
John Abercrombie = 3242, whose history with ECM stretches back to the early '70s, now releases his fourth CD with the same quartet of violinist Mark Feldman and drummer Joey Baron, newcomer Thomas Morgan replacing previous bassist Marc Johnson. Though there are rambunctious moments, Abercrombie chooses to open with “Sad Song," a somewhat misleading title. The ...
Ryan Blotnick: Everything Forgets
by Martin Gladu
Ryan Blotnick Everything Forgets Songlines 2009 While there are no fast rules or proven paths for developing a craft and career as an improvising musician, most players arrive at free playing and pure expression in the course of their development rather than starting their careers there. In other ...
John Surman: Brewster's Rooster
by Jeff Stockton
Over 150 years experience! That's how the band saxophonist John Surman assembled for Brewster's Rooster could be advertised. Surman first played with drummer Jack DeJohnette in the late '70s and DeJohnette and guitarist John Abercrombie first worked together earlier that decade. Rounded out by bassist Drew Gress, Surman revisits straight-ahead jazz after essaying an eclectic range ...
Remembering Scott Sherwood
by Peter Cobb
What does one possibly say when a treasure is ripped from our lives? What can you say? The jazz world lost a great light recently with the passing of guitarist, composer and educator Scott Sherwood. The rest of the world lost an even greater human being.I don't know what the proper measure of a ...
Bill Frisell: Solos and Films of Buster Keaton
by John Kelman
In a career which is in 2009 entering its fourth decade in the public eye, guitarist Bill Frisell has fashioned a trajectory like no other. As comfortable playing Hank Williams country tunes as he is a Ron Carter blues, the guitarist has created such a distinctive sound that, even when he's playing a plain old G ...
John Abercrombie Quartet: Wait Till You See Her
by John Kelman
The beauty of working with the same people long-term is it's possible to evolve a cohesive ensemble sound, while still retaining its singular group voice. Guitarist John Abercrombie has been working with violinist Mark Feldman since Open Land (ECM, 1999), but it was when he recruited bassist Marc Johnson and drummer Joey Baron for Cat 'n' ...
Legendary British Saxophonist John Surman Interviewed at AAJ
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
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