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Marc Copland: Nightfall
by Dan McClenaghan
Between 2006 and 2012 pianist Marc Copland produced a rich discography on the Pirouet Records label. With a cast of top level sidemenGary Peacock, Paul Motian, John Abercrombie, Drew Gress, Billy Harthe shaped up his distinctive sound and and lifted his profile into the stars. The year 2012 saw Copland's last Pirouet release, Some More Love ...
Gary Peacock Trio: Tangents
by Karl Ackermann
Considering his nearly sixty-five years of recording, Gary Peacock has been relatively selective in his choice of leader projects. His association with luminaries Albert Ayler, Paul Bley, Bill Evans and Keith Jarrett have put him in the company of jazz history makers. When Jarrett's Standards Trio, with Peacock and drummer Jack DeJohnette, disbanded in 2014 after ...
Four New Releases From ECM Records: Vijay Iyer Sextet, Tim Berne's Snakeoil, Gary Peacock Trio, and David Virelles
August 25 Vijay Iyer Sextet Far From Over Vijay Iyer: piano, fender rhodes; Graham Haynes: cornet, flugelhorn, electronics Steve Lehman: alto saxophone; Mark Shim: tenor saxophone; Stephan Crump: double bass Tyshawn Sorey: drums Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014—Far ...
Bill Frisell, l'infaticabile
by Mario Calvitti
Tra gli artisti che negli ultimi decenni hanno maggiormente contribuito a rinnovare il ruolo della chitarra nella musica jazz (ma non solo) spicca sicuramente il nome di Bill Frisell. Fin dal suo primo apparire sulla scena internazionale alla fine degli anni '70 ha dimostrato grande originalità e una spiccata individualità, con il timbro del suo strumento ...
TD Ottawa Jazz Festival 2017
by John Kelman
TD Ottawa Jazz Festival Ottawa, Canada June 23-26, 2017 Amongst the most significant challenges that face any festival is, as the gray and no-hair crowd continues to age, finding ways to cultivate and grow a younger audience. But when you're a Canadian festival, another major challenge is a simple fiscal fact: most ...
Ferenc Snetberger: TITOK
by Mark Sullivan
Hungarian nylon-string guitarist Ferenc Snétberger made his ECM debut playing live solo guitar on In Concert (2016). Here he shares the musical space with Swedish bassist Anders Jormin and U.S. drummer Joey Baron--a combination suggested by producer Manfred Eicher, and cemented by three concerts in Hungary before the recording session. Jormin and Baron have ...
L'ultimo hipster. La vita e la musica di Mark Murphy
by Angelo Leonardi
Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica. Eppure già prima della sua scomparsa -il ...
Ralph Towner e John Abercrombie: 40 anni di chitarre ECM
by Mario Calvitti
Nei suoi quasi 50 anni di vita la ECM ha sempre avuto un occhio di riguardo per i chitarristi, contribuendo al rinnovamento dello strumento e valorizzando molti dei suoi interpreti (uno dei casi più eclatanti è quello di Pat Metheny, scoperto giovanissimo, che prima di abbandonare la ECM ha realizzato quelle che, a detta di molti, ...
Marc Copland: Better By Far
by Dan McClenaghan
Marc Copland got his start in jazz in New York City as a sometimes plugged-in alto saxophonist, working with drummer Chico Hamilton's Quartet, and releasing an overlooked album, Friends (Oblivion Records, 1973) featuring his own quartet. Then he went away, and came back as a pianist, and has since shaped himself into one of finest jazz ...
Arthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...


