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Joëlle Léandre / Evan Parker / Agustí Fernández / Zlatko Kaučič: A Uiš?
by John Sharpe
Though the instrumentation on A Uiš evokes the classic jazz quartet, the outcome resides a world away from that tradition. To celebrate 40 years as a professional musician, Slovenian drummer Zlatko Kaučič assembled a quartet of top drawer improvisers for a 45-minute collectively navigated journey, recorded live at the jazz festival in his home town of ...
Bassisterhood - Part 2
by Ludovico Granvassu
We continue our exploration of bands and projects lead by female bass players which have become exponentially more prominent in the past two decades. Here is the fascinating music by musicians that debunk commonly held stereotypes related to the physicality of music, and develop a personal way to synthesize their countless sources of inspiration.
Francesco Massaro: zoologo imperfetto
by Neri Pollastri
Francesco Massaro, quarantaduenne compositore, sassofonista e clarinettista pugliese, è da alcuni anni uno dei musicisti più interessanti della penisola, messosi in luce per il singolare tipo di ricerca a cavallo tra improvvisazione e scrittura non convenzionale portata avanti dalla sua principale formazione, Bestiario. Lo abbiamo intervistato in occasione dell'uscita del terzo lavoro del gruppo, Quaderni di ...
The French Scene - Part 4
by Ludovico Granvassu
In this final installment of our exploration of today's French jazz scene, we focus on a number of projects that illustrate how beautifully French musicians blend their many influences, from troubadour music of the middle-ages to pop songs of the '60s and '70s, and interests, from Greek mythology to the M-Base collective, with jazz.
Roscoe Mitchell with Ostravska Banda: Distant Radio Transmission
by Karl Ackermann
Roscoe Mitchell, a co-founder of the AACM and Art Ensemble of Chicago, continues to discover new intersections of jazz, classical and avant-garde music with Distant Radio Transmission. As he approaches eighty years of age Mitchell has waved off time and tradition, reinventing the AEoC brand with the orchestrated--sometimes operatic--We Are on the Edge: A 50th Anniversary ...
Results for pages tagged "Joelle Leandre"...
Joëlle Léandre
Born:
Joelle Leandre started playing recorder but quickly moved to piano and from the age of 9 to 14 studied both piano and double bass in her home town of Aix-en-Provence. Her double bass teacher, Pierre Delescluse, encouraged her to apply to the Conservatoire National Superieur de Musique de Paris where she won first prize for double bass. In 1976 she received a scholarship to the Center for Creative and Performing Arts in Buffalo, a time that was to prove particularly influential due to encounters with Morton Feldman, and the music of Earl Brown, John Cage and Giacinto Scelsi. At the same time, she was able to experience the downtown New York music scene and continue her involvement in improvised music. Joelle Leandre has continued to be involved with contemporary 'straight' music, not only as a member of contemporary music ensembles such as 2E2M, Itineraire and l'Ensemble Intercontemporain but particularly through the works of Cage and Scelsi, several of which have been recorded by her
PUI4: A Pearl In Dirty Hands
by Neri Pollastri
Più volte negli ultimi Nicola Guazzaloca ha lavorato in Portogallo, sia esibendosi con compagni italiani (come nel caso del duo con Edoardo Marraffa, documentato in Em Portugal!), sia collaborando con artisti locali, come in questo A Pearl In Dirty Hands dei PUI4, quartetto che lo vede a fianco dei portoghesi Joao Pedro Viegas al clarinetto basso, ...
All-Female Bands Are a Riot!
by Ludovico Granvassu
As much as we favor a complete integration of the jazz sexes, this week we feature twenty-four bands or projects with not a single man in sight, actually in hearing. After all, how much jazz radio have you listened to (not on Mondo Jazz) with playlists made exclusively of all male bands? Here's a small contribution ...
Jazz Festival Ljubljana 2019
by Henning Bolte
Cankarjev Dom Jazz Festival Ljubljana Ljubljana June 18-22, 2019 Ljubljana—capital of the Republic of Slovenia, member of the EU, neighbored by Austria, Hungary, Croatia and Italy—hosts a now six decades old jazz festival. The event is organized by Cankarjev House/Cankarjev Dom, a prestigious, state-run cultural center in midtown Ljubljana opposite the ...
