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Results for "Joe Zawinul"
Arthur Hnatek: On putting the EDM into Jazz & making acoustic music with electronic appeal
by Friedrich Kunzmann
Miles Davis and like-minded free-spirited vanguards of his day opened jazz up to countless influences during one of the genre's heydays in the late '60s and early '70s. Ever since, the boundaries of jazz have been broken down more radically, disseminated and increasingly blended with everything from current trends in popular music to classical music and ...
Michael Gregory Jackson, Francesca Remigi & Oles Brothers
by Maurice Hogue
This show reminds me of a calzone stuffed with just about every imaginable filling. Appropriately, there's a wonderful new release from Italian drummer Francesca Remigi and her band Archipelagos. This is definitely one of the finest debuts of 2021deep, contemporary and socially aware. The very respected guitarist, Michael Gregory Jackson, is also debuting his Frequency Equilibrium ...
The First Generation 1965-1974
by John Kelman
What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...
Jazz-Rock-Fusion, Early Days: 1967-1971
by Len Davis
We look at the early days of jazz-rock -fusion with music from 1967-1971 by Joe Zawinul Miles Davis John McLaughlin and Soft Machine. Playlist John McLaughlin Extrapolation" from Extrapolation (Polydor) 00:00 Tony Williams Lifetime Via The Spectrum Road" from Emergency (Verve) 07:14 Joe Zawinul A Soul Of A Village" from The Rise And Fall ...
Roy McCurdy: From Cannonball to the Rochester Music Hall of Fame
by Scott Gudell
When we placed a call from New York to Los Angeles in the early part of 2021, the articulate and vibrant drummer Roy McCurdy answered and quickly connected us back to the 1950s. He told us about his hometown of Rochester, New York, his early days performing with Chuck Mangione and Gap Mangione and how he ...
Chick Corea: The Passing Of A Giant
by Doug Hall
The passing of a giant in all categories of jazz. Chick Corea, NEA Jazz Master, 22-time Grammy Award winner, keyboard virtuoso as pianist, composer and arranger has earned, by contribution and breadth of musicianship, all the accolades, awards and recognition. If ever the title applied: a legendary figure in jazz. Beyond Corea's range of solo compositions ...
Eshed Korten Biolcati Kim: A Way Out
by Friedrich Kunzmann
One of the more exciting scenarios in jazz unfolds when a group of players comes together, not to realize one individual's specific vision, but just for the sake of making music together and to develop a chemistry which, ideally, was there from the beginning. The group effort here presents the fruits of such an occasion. A ...
Chris Nordman Trio: High Wire
by Jack Bowers
Time was when people retired to Florida to bask in the sunshine, play some golf and tend their backyard gardens. That was then; this is now. Pianist and organist Chris Nordman, who has roamed the world for more than half a century as a working musician and now calls Florida home, has no plans to rest ...
Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water
by Chris May
A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...
Rez Abbasi: On balancing picture with music and shifting into Django mode
by Friedrich Kunzmann
To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of ...





