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Vision Festival 2009: Day 6
by John Sharpe
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Planet Dream / Fred Anderson Trio / Michelle Rosewoman and Quintessence / Whit Dickey/Eri Yamamoto/Daniel Carter / Peter Brotzmann's Full Blast Trio 14th Annual Vision Festival Abrons Arts Center ...
Vision Festival 2009: Day 4
by John Sharpe
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Miriam Parker's Corridor / Charles Gayle Trio / The Ras Ensemble / The Ayler Project / Zim Ngqawana and the Collective Quartet 14th Annual Vision Festival Abrons Arts Center New ...
June 2009
by AAJ Staff
Brad MehldauVillage VanguardNew York City May 6, 2009When Brad Mehldau acknowledged the presence of Hank Jones in the audience at the Village Vanguard (May 6th), he recalled being 16 and hearing Jones at Bradley's, an experience that helped set Mehldau on his current path. Although steeped in the intimate jazz ...
The Thing: Bag It!
by Andrey Henkin
One of the most appealing facets of The Thing-- saxophonist Mats Gustafsson, bassist Ingebrigt Haker Flaten and drummer Paal Nilssen-Love--is the visceral experience of seeing them play live. Huddled closely on stage, wearing matching Ruby's BBQ of Austin t-shirts, dripping with sweat and manhandling their instruments, the trio is one of the modern wonders of avant-garde ...
Joe McPhee: Angels, Devils & Haints
by Kurt Gottschalk
Angels, Devils & Haints is a beautifully unusual tribute record. The project was conceived by saxophonist Joe McPhee as a tribute to the great Albert Ayler, but doesn't include any of Ayler's tunes. The lineup--McPhee (tenor and alto saxophones and pocket trumpet) with a quartet of bassists--isn't an instrumentation Ayler ever used. And yet, from the ...
Joe McPhee: Angels, Devils & Haints
by Lyn Horton
In 1965, Joe McPhee met Donald Ayler by chance in a New York record store. Ayler asked McPhee to join him at a rehearsal where Albert Ayler would be, but unfortunately McPhee was unable to make the rehearsal. That missed opportunity triggered a powerful response in May 2000, when McPhee invited a group of musicians to ...
Joe McPhee: Tomorrow Came Today & Sweet Freedom- Now What?
by Robert Iannapollo
Joe McPhee / Paal Nilssen-Love Tomorrow Came Today Smalltown Superjazzz 2008 Joe McPhee / Lisle Ellis / Paul Plimley Sweet Freedom - Now What? Hatology 1994-2008 Since his earliest releases, ...
Joe McPhee Survival Unit I I I: Don't Postpone Joy!
by Glenn Astarita
This 2007 release for the Italy-based Tracce label presents saxophonist/trumpeter Joe McPhee's Survival Unit III improvisation group, which signifies the final moniker for the trio that was originally called The Alto Trio. The origination of the core trio, known as Survival Unit I, came to fruition during the '60s, sparked by themes centered upon social injustices ...
Peter Brotzmann Chicago Tentet: Bridging the Future with the Past
by Lloyd N. Peterson Jr.
There may not be a more creative group of artists anywhere within the boundaries of any art form than those within the Peter Brotzmann Chicago Tentet. These are individuals that comprehensively understand their responsibility to art and it is only through this level of integrity and creativity that art can, and will continue to move forward. ...
Joe McPhee: Tomorrow Came Today
by Lyn Horton
Music and talking are two modes of expression rooted in human communication. Most of the time, the audible distinction is clear. Sounds are sounds and words are words: the medium makes no difference in how one hears the instrumentality of either. In the context of improvisation, reed player Joe McPhee and drummer Paal Nilssen-Love challenge the ...
