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Solos : The Lost Tapes (1980 – 1981 – 1984)
By Joe McPhee
Label: Roaratorio Records
Released: 2015
Track listing: Wind Cycles; The Redwood Rag; Ice Blue; Voices; New Music America Interview.
Joe McPhee / Jamie Saft / Joe Morris / Charles Downs: Ticonderoga
by John Sharpe
As the liners explain, this date was inspired by bassist Joe Morris and pianist Jamie Saft's shared love for the seminal John Coltrane Live At The Village Vanguard Again (Impulse, 1966) album. In the subsequent discussion with the other participants, it transpired that reedman Joe McPhee actually witnessed that gig from the center of the front ...
John Sharpe's Best Releases of 2015
by John Sharpe
Here in no special order are ten new releases, reviewed in All About Jazz, which stood out among those I heard this year. Mats Gustafsson Hidros 6 Knockin' (Not Two Records) An avant-garde jazz composition based on the songs of '50s rocker Little Richard. Really? Yep, that's the premise ...
Rodrigo Amado: This Is Our Language
by Glenn Astarita
Experimental jazz, largely framed on wide-ranging improvisational tactics, inhabits a tightknit if not cloistered community, partially by default due to its avant-garde underpinnings. With the album moniker This Is Our Language, eminent Portuguese saxophonist Rodrigo Amado imparts a bond or connection to free-jazz pioneer Ornette Coleman's fifth album, This Is Our Music (Atlantic, 1960).
Joe McPhee / Jamie Saft / Joe Morris / Charles Downs: Ticonderoga
by Glenn Astarita
The premise for this get together commenced with discussions by pianist Jamie Saft and bassist, guitarist Joe Morris who plotted to meld their influences from John Coltrane's Live at the Village Vanguard Again (Impulse, 1966) album, along with celebrated artists, trumpeter, reedman Joe McPhee and drummer Charles Downs. Moreover, the band moniker Ticonderoga is a Mohawk ...
Konstrukt & Joe McPhee: If You Have Time
by Mark Corroto
There was a time when free jazz was a mysteriously strange and exotic beast, a music that evoked the “what did I just hear?" response. Today's jazz snob may quote the motto of the rock band Jane's Addiction and tell you “nothing's shocking." And that may be true. That is, if one's ears are not open ...
Rodrigo Amado: This Is Our Language
by John Sharpe
The title of Portuguese saxophonist Rodrigo Amado's latest offering pays unmistakable homage to the late Ornette Coleman. This Is Our Music (Atlantic, 1961) constituted one of Ornette's uncompromising early manifestos, while In All Languages (Caravan of Dreams, 1987) served to reveal both the differences and the similarities between his classic quartet and the electric Prime Time ...
SLM Ensemble: Solo And Chamber Works For Peace on December 7 at The Cell Theatre
SLM Ensemble: Solo and Chamber Works for Peace on December 7, 2015 at 8:00pm. $20/$15. The Cell Theatre 338 West 23rd Street New York, NY 10011 Ray Anderson, trombone David Taylor, bass trombone Samir Chatterjee, tabla Jane Ira Bloom, soprano saxophone Zafer Tawil, oud, ...
John Dikeman/William Parker/Hamid Drake: Live at La Resistenza
by Mark Corroto
The subtitle to Charles Mingus' composition “Gunslinging Bird" is “If Charlie Parker was a gunslinger, there'd be a whole lot of dead copycats," refers to the great alto saxophonist's ability to dominate a bandstand and quiet any and all comers. Parker, who died in 1955, might not have known about automatic weapons, nor the free jazz ...
Mats Gustafsson & Nu Ensemble: Hidros 6: Knockin'
by John Sharpe
An avant-garde jazz composition based on the songs of '50s rocker Little Richard. Really? Yep, that's the premise behind Swedish reedman Mats Gustafsson's large scale work recorded at the Krakow Jazz Autumn in 2013. Although best known for his small group output with The Thing and Fire!, Gustafsson has regularly assembled bigger groupings during his career, ...
