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599

Article: Interview

Jane Monheit: Finding the Way Back Home

Read "Jane Monheit: Finding the Way Back Home" reviewed by Esther Berlanga-Ryan


Jane Monheit's voice is not a reflection of somebody else's talent: it is all on her. Home (Emarcy, 2010) is her new ticket to the legacy of the Great American Songbook, and her journey has been quite spectacular.Singing the words or simply scatting, Monheit lays down the pattern for the true vocal jazz tradition ...

221

News: Interview

Singer Jane Monheit Interviewed at All About Jazz

Singer Jane Monheit Interviewed at All About Jazz

Jane Monheit's voice is not a reflection of somebody else's talent: it is all on her. Home (Emarcy, 2010) is her new ticket to the legacy of the Great American Songbook, and her journey has been quite spectacular. Produced for the first time in its entirely by the Long Island-raised singer, the album also features guests ...

453

Article: Live Review

Dmitri Kolesnik at Dizzy's Club Coca Cola

Read "Dmitri Kolesnik at Dizzy's Club Coca Cola" reviewed by AAJ Staff


Dmitri KolesnikDizzy's Club Coca ColaNew York, NYAugust 27, 2010Dmitri Kolesnik came to New York from his native St Petersburg in 1991, to study bass with Ron Carter. Now Kolesnik is a firm fixture on the jazz scene in New York. At Dizzy's Club Coca Cola, Kolesnik's band featured trumpeter Joe Magnarelli, ...

174

Article: Album Review

Earl MacDonald: Re:Visions

Read "Re:Visions" reviewed by Woodrow Wilkins


In a period when many new recordings feature trios, quartets or other small ensembles, it's refreshing when a full-size orchestra comes along. Pianist, composer and arranger Earl MacDonald offers that refreshment with Re:Visions--Works for Jazz Orchestra. MacDonald is a native of Winnipeg, Canada and director of jazz studies at the University of Connecticut. A ...

210

Article: Album Review

Earl MacDonald: Re: Visions

Read "Re: Visions" reviewed by Edward Blanco


There are far too few big band albums being recorded these days, so it is with great appreciation that the music of professor Earl MacDonald finds its way to the studio for lovers of the genre to enjoy. Harnessing the talents of a 17-piece, world-class orchestra, MacDonald--a composer/arranger/pianist and director of Jazz Studies at the University ...

302

Article: Album Review

Earl MacDonald: Re: Visions

Read "Re: Visions" reviewed by Dan Bilawsky


The big band era ended long ago, but the world is a better place because people like pianist Earl MacDonald still yearn to keep it alive in some way. MacDonald--a composer, arranger, pianist and Director of jazz studies at the University of Connecticut--is probably best known for his work in jazz education and his time spent ...

369

Article: Album Review

Earl MacDonald: Re:Visions

Read "Re:Visions" reviewed by Mark Corroto


There is a reason that the saying, “keeping it fresh" is rarely uttered in the same sentence as “17-piece jazz orchestra"--because a large orchestra in the world of jazz tends to maneuver about as delicately as an army deploys. Well, that is unless your jazz army is under the direction of Earl MacDonald. He commands his ...

235

Article: Album Review

Tobias Gebb & Unit 7: free at last

Read "free at last" reviewed by Terrell Kent Holmes


On free at last, drummer Tobias Gebb shows great depth and maturity as a composer and arranger. This recording is a balanced mix of originals and standards, from various musical genres, combined to produce rich sounds and vibrant colors. Veteran altoist Bobby Watson and young tenor lion Stacy Dillard take star turns on ...

119

Article: Album Review

Tobias Gebb and Unit 7: free at last

Read "free at last" reviewed by Woodrow Wilkins


Like a bird uncaged, drummer Tobias Gebb expresses himself without restraint on free at last, recorded with Unit 7. The collection is a mix of original songs and covers. Gebb is a freelance musician on the New York scene. Having appeared on recordings with Lenny Kravitz and Donald Fagen, Gebb has also served as ...

321

Article: Album Review

Tobias Gebb & Unit 7: free at last

Read "free at last" reviewed by Dan Bilawsky


New York-based drummer Tobias Gebb assembled a stellar cast for free at last. The format of Unit 7 follows the instrumentation tradition of Art Blakey's Jazz Messengers. The three-horn frontline and three-man rhythm section allows this group to sound bigger than it is at times, while also having the flexibility to make things more intimate. Gebb ...


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