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Article: Album Review

Joe Lovano: Streams of Expression

Read "Streams of Expression" reviewed by AAJ Italy Staff


Joe Lovano è uno dei protagonisti più eclettici ed attivi dell'ultimo ventennio: ha suonato di tutto e con tutti, senza mai rinunciare alla sua personale pronuncia, di un'eleganza classica e sofisticata, tanto rifinita e pomposa da risultare a volte stucchevole. Il che capita di rado in questo CD ben congegnato, in cui la tensione e i ...

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Article: Extended Analysis

Joe Lovano: Streams Of Expression

Read "Joe Lovano: Streams Of Expression" reviewed by Robert R. Calder


Joe Lovano Streams Of Expression Blue Note Records 2006 Forget those ill-founded accusations of conservatism. Joe Lovano is a genuine innovator. He's uninterested in novelty for novelty's sake and he's very, very ambitious for his music. He makes things more interesting for everybody, including himself, by (no apologies for the ...

354

Article: Album Review

Joe Lovano: Streams of Expression

Read "Streams of Expression" reviewed by Tom Greenland


Joe Lovano never fails to create an impression. Streams of Expression, his eighteenth release for Blue Note, is a suite-within-a-suite that honors and signifies upon a considerable amount of jazz history--cool, modal, avant, bop--with authority and individuality. The centerpiece of the album is the “Birth of the Cool Suite," a tribute to the chamber jazz outings ...

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Article: Extended Analysis

Joe Lovano: Streams Of Expression

Read "Joe Lovano: Streams Of Expression" reviewed by Troy Collins


Joe Lovano Streams Of Expression Blue Note 2006 Saxophonist Joe Lovano's second collaboration with the estimable composer and arranger Gunther Schuller finds the two musicians navigating similar territory as their 1995 collaboration, Rush Hour (Blue Note). Boasting a similarly varied line-up and mix of compositions, the album ...

180

Article: Album Review

Joe Lovano: Streams of Expression

Read "Streams of Expression" reviewed by John Kelman


British woodwind player Tim Garland has praised Joe Lovano for “the way he looks forward and backwards on the horn simultaneously, covering the whole tradition, yet looking way, way forward at the same time. Nowhere is this more evident than on Streams of Expression, where the woodwind multi-instrumentalist teams up with Third Stream progenitor Gunther Schuller ...

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Article: Album Review

Joe Lovano: Streams of Expression

Read "Streams of Expression" reviewed by Jim Santella


Were he still with us, Miles Davis would have turned eighty this year. But he is still with us through his music and the influence that he had on jazz all over the world, for all those who have been influenced by his poise and flair. With an interpretation of the Birth of the ...

281

Article: Album Review

Joe Lovano: Streams of Expression

Read "Streams of Expression" reviewed by Mark F. Turner


Jazz suites have been elaborate works of creative composition since the days of Duke Ellington, and they continue to be on Streams of Expression. Revisiting the sounds of Joe Lovano's larger ensembles works like 52nd Street Themes, the recording is a change in direction compared to his two previous quartet releases. Lovano's biggish sound is back, ...

378

Article: Album Review

Joe Lovano: I'm All for You

Read "I'm All for You" reviewed by Samuel Chell


No instrument is more synonymous with jazz than the tenor saxophone, due equally to the expressive capabilities of the horn and the legacy of great players who have been attracted to it. On the evidence of Down Beat readers' and critics' polls over the past decade, Joe Lovano would appear to be the favorite among contenders ...

Album

Joyous Encounter

Label: Blue Note Records
Released: 2005
Track listing: 1. Autumn in New York 2. Bird's Eye View 3. Don't Ever Leave Me 4. Alone Together 5. Six and Four 6. Pannonica 7. Consummation 8. Quiet Lady 9. Joyous Encounter 10. A Child is Born 11. Crescent

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Article: Jazzin' Around Europe

Jazzclub Singen (Hohentwiel, Germany) 15th Anniversary

Read "Jazzclub Singen (Hohentwiel, Germany) 15th Anniversary" reviewed by Robert R. Calder


Fifteen years ago Jazz-Club Singen was established in relation to the modest little theatre cum cinema (called GEMS) at the edge of the little industrial town of Singen-am-Hohentwiel, in the handsome German hinterland of Lake Constance (the Bodensee). About halfway through this period I became a part-time resident of the region. I hopped on a train ...


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