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Article: Bailey's Bundles

Marc Copland in Love

Read "Marc Copland in Love" reviewed by C. Michael Bailey


Pianist Marc Copland has previously released popular and well-received trio recordings in series, most recently New York Trio Recordings Vol. 1: Modinha (Pirouet, 2006), New York Trio Recordings Vol. 2: Voices (Pirouet, 2008) and New York Trio Recordings Vol. 3: Night Whispers (Pirouet, 2009). But he has an ensemble association with bassist Drew Gress and drummer ...

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Article: Album Review

Marc Copland: Some More Love Songs

Read "Some More Love Songs" reviewed by Dan McClenaghan


Pianist Marc Copland--who, oddly, began his jazz career as a saxophonist--took an artistic leap forward with his three New York Trio recordings on Pirouet Records. Employing a rotating crew of bassists with Gary Peacock, Drew Gress, and drummers Paul Motian and Bill Stewart, the pianist rose to a higher profile via his nearly unsurpassed musical excellence. ...

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Article: Album Review

Marc Copland: Some More Love Songs

Read "Some More Love Songs" reviewed by Dan Bilawsky


Seven years and a handful of albums under his own name separate pianist Marc Copland's Some Love Songs (Pirouet, 2005) and this winning sequel session. Copland reconvened the same trio from the original date--with ever-busy bassist Drew Gress and on-the-rise drummer Jochen Rueckert--and followed a similar programming formula, opening with a Joni Mitchell tune, closing with ...

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Article: Album Review

Brian Charette: Music for Organ Sextette

Read "Music for Organ Sextette" reviewed by Dan Bilawsky


Finding an organ in a gathering of more than four in jazz seems to be taboo, yet no logic exists behind this unspoken truth. The organ is constantly making friends with guitars and drums, with the occasional singular horn dropping by to converse with them, but the possibility of a broader social circle always seems to ...

56

Article: Take Five With...

Take Five With Aidan Carroll

Read "Take Five With Aidan Carroll" reviewed by AAJ Staff


Meet Aidan Carroll: Originally from Oklahoma, now living in New York and on the road, Aidan Carroll is an acoustic/electric bassist, composer, and educator. He attended the University of Central Oklahoma on full jazz scholarship, attended the Banff Workshop following college, and subsequently moved to New York for a Masters Degree at City College ...

Album

Somewhere Meeting Nobody

Label: Pirouet Records
Released: 2011
Track listing: The Itch; Buttons; Dan Smith Will Teach You guitar; Bridge and Front; Delete Forever; Pitot; Somewhere Meeting Nobody; Vodka Coke; To Have and to Hold; Way; The Sorcerer.

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Article: Album Review

Sam Yahel: From Sun to Sun

Read "From Sun to Sun" reviewed by Dan McClenaghan


Sam Yahel made his name in jazz as an organist, notably on the excellent Truth and Beauty (Origin Records, 2009). In addition to a handful of well-received CDs under his own name, Yahel has worked his B3 Hammond magic on recordings by vocalist Norah Jones and saxophonist Joshua Redman. So it was something of a risk ...

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Article: Live Review

Sam Yahel Trio: New York, NY, July 17, 2011

Read "Sam Yahel Trio: New York, NY, July 17, 2011" reviewed by Dan Bilawsky


Sam Yahel Trio The Village Vanguard New York, NY July 17, 2011 The world has changed in numerous and startling ways since pianist Bill Evans recorded Sunday At The Village Vanguard (Riverside, 1961) a half century ago, but two things remain as consistent as the rising and setting of the sun: The ...

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Article: Album Review

Jochen Rueckert: Somewhere Meeting Nobody

Read "Somewhere Meeting Nobody" reviewed by Jerry D'Souza


Drummer Jochen Rueckert has recorded in a variety of musical combinations, adding his distinctive rhythmic insights. He is secure in several styles, a trait that is evident in his compositions as well. His compositional abilities are affirmed by the nine tunes he has written for Somewhere Meeting Nobody, while his instincts as a drummer travel through ...

604

Article: Profile

John McNeil's Backbone

Read "John McNeil's Backbone" reviewed by Ben Waltzer


Like many trumpeters, John McNeil has a unique brand above his upper lip where flesh meets metal. It looks like a setting sun, and was visible from up close, as he removed his instrument from his mouth, rose steadily from his stool, and grasped the microphone. “This is the part of any jazz ...


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