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Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
Jennifer Wharton's Bonegasm: Not A Novelty
by Dan McClenaghan
The trombone came into its own as a lead and solo instrument in jazz on the shoulders of J.J. Johnson, in the early days of bebop. His Four Trombones: The Debut Recordings (Prestige, 1953) celebrated the big brass instrument with three fellow 'bone men--Kai Winding, Bennie Green and Willie Davis, all joining Johnson in a four ...
Ghosts In The Machine, Part 4: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 4: Jazz in the Trenches In my previous articles, I detailed the enormous influence that jazz musicians have had on popular music since the 1960s. This may, early on, have been a matter of survival; as the popularity of ...
Marcello Rosa: The World on a Slide
by Maurizio Zerbo
Un'altra perla si aggiunge al catalogo di Alfa Music, che da vari anni si distingue nella valorizzazione discografica del jazz italiano. The World on a Slide è uno dei migliori dischi di Marcello Rosa, testimoniandone l'apertura a stimoli musicali contemporanei non appartenenti ai suoi consueti orizzonti estetici. Le sedici tracce, tutte da ascoltare, hanno ...
Jazz Musician of the Day: J.J. Johnson
All About Jazz is celebrating J.J. Johnson's birthday today! Considered by many to be the finest jazz trombonist of all time, J.J. Johnson somehow transferred the innovations of Charlie Parker and Dizzy Gillespie to his more awkward instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve ...
Billy Childs: L.A. Contentment
by R.J. DeLuke
Billy Childs says taking formal piano lessons as a young child “didn't register" at the time. He didn't recoil from the instrument by any means, but it wasn't yet exciting. But he had a neighbor who also played. Childs looked up to him. It was that neighbor who showed him stuff--taught him to play “ Cantaloupe ...
Joe Farnsworth: Friends In High Places
by R.J. DeLuke
Joe Farnsworth is one of the top jazz drummers working today, with a resume that includes some of the absolute greats. His muscular swing and precise timekeeping have been attractive to employers like Wynton Marsalis, Diana Krall, McCoy Tyner, George Coleman, Pharoah Sanders, Eric Alexander, Benny Golson and many more. He likes to say ...
Adam Shulman Septet: West Meets East
by Jack Bowers
The “west" here is represented by San Francisco-based pianist and group leader Adam Shulman, the “east" by the other half-dozen members of Shulman's impressive septet. Even though the reasons that led to the alliance are ambiguous, what matters is the payoff, and that is more than admirable from any vantage point. As if ...
J.J. Johnson and Bobby Jaspar
Tropical storm Isaias blew into New York around 11 a.m. yesterday, whipped things around and split at about 3 p.m. When it did, the sun came out and the 35-mph gusts began, cooling things off a bit. For some reason, I craved J.J. Johnson and his distinct, muffled trombone sound. The albums I turned to were ...
Blue Note Records: Lost In Space: 20 Overlooked Classic Albums
by Chris May
For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...
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