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J.J. Johnson and Bobby Jaspar
Tropical storm Isaias blew into New York around 11 a.m. yesterday, whipped things around and split at about 3 p.m. When it did, the sun came out and the 35-mph gusts began, cooling things off a bit. For some reason, I craved J.J. Johnson and his distinct, muffled trombone sound. The albums I turned to were ...
Blue Note Records: Lost In Space: 20 Overlooked Classic Albums
by Chris May
For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...
Jimmy Heath: Love Letter
by Chris May
Love Letter is the final album to be made by saxophonist Jimmy Heath, who passed in January 2020 aged 93. It was completeted just a month earlier. The title is well chosen: the album is a love letter to jazz, a love letter to ballads, and a love letter to Heath's surviving family members, friends and ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
Joe Fielder's Big Sackbut: Live In Graz
by Dan McClenaghan
Trombonist Joe Fielder offers up Joe Fielder's Big Sackbut--Live In Graz, the group's second recording, a follow-up to the 2012 eponymous Yellow Sound Label debut and 2013's Sackbut Stomp (Multiphonics Music). The line-up is three trombones (Ryan Keberle, Luis Bonilla and Fielder) and a tuba (Jon Sass), so it isn't hard to imagine what the sound ...
Geoff Mason: GMQ
by Jack Bowers
Geoff Mason, one of the UK's leading jazz trombonists, mans the front line by himself on the slyly named GMQ, an eloquent quartet session from which Mason's longtime colleague, the outstanding saxophonist Simon Spillett, is regrettably missing. As nothing can be done to set that right, best to focus on the music at hand, which binds ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Sencalar/Glassman Quintet: Realization
by Hrayr Attarian
Altin Sencalar and Chris Glassman were classmates in graduate school at Michigan State University (MSU) where they were both trombonist MIchael Dease's proteges. When they decided to release their debut, the exciting Realization, their mentor produced the record, contributed a tune and made a guest appearance on the opening track. For this bop-based session ...
Take Five with Andy Clausen
by AAJ Staff
Meet Andy Clausen Andy Clausen is a New York-based trombonist, composer, and educator. A graduate of The Juilliard School, he currently serves as Artistic Director for Jazz at New York Youth Symphony. Clausen is also a founding member of The Westerlies, an award winning new music brass chamber ensemble. From Carnegie Hall to Coachella, The Westerlies ...
Paul Dunlea's 4 Corners at Maggie's Farm
by Ian Patterson
Paul Dunlea's 4 Corners Maggie's Farm Dromara, N. Ireland January 27, 2020 When you consider that some Belfast venues might struggle to get forty punters for a Monday night jazz gig, it is no mean feat that as many have turned out, in the middle of the Irish countryside no ...
