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The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)
by Russell Perry
Rarely has a jazz instrument been so completely redefined as the organ was at the hands of Jimmy Smith. In his wake, the Hammond B3 organ gained wide-spread popularity and attracted a suite of talented adherents. B3 players Jimmy Smith, Baby Face Willette and Shirley Scott in this hour of Jazz at 100 as we continue ...
Tina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...
Gegè Telesforo: Improvvisazione senza fine
by Paolo Marra
Artista poliedrico e curioso Gegè Telesforo ha mantenuto in più di tre decenni di attività una cifra stilistica originale e autentica. Acclamato innovatore a livello internazionale nell'uso dello scat vocals, nella sua musica le sillabe si muovono libere e sinouse a ritmo di funk e swing in un concentrato raffinato di pura e semplice energia. Musicista, ...
Results for pages tagged "Jimmy Smith"...
Jimmy Smith
Born:
Born James Oscar Smith in Norristown, Pennsylvania, USA. Smith was influenced by both gospel and blues. He first achieved prominence in the 1950s where his recordings became popular on jukeboxes before there were commonly used terms to describe his unique musical flavor. In the sixties and seventies he helped create the jazz style known as 'funk' or 'soul jazz'. There had been earlier limited use of the electronic organ in jazz (notably by Fats Waller and Count Basie), though these early examples sometimes had a novelty feel. Smith is widely recognized as introducing the electric organ as a legitimate musical instrument, capable of virtuoso improvisation
Take Five with Tal Klein
by AAJ Staff
Meet Tal Klein Israeli composer, pianist and organist Tal Klein started playing music when he was six years old. He was introduced to jazz at 14. He studied at the music department of the Katsanellson high school in Kfar Saba. During that time Klein was already playing gigs as a professional musician and at 17, placed ...
Wild Card: Beast From The East
by Chris May
The impact of Jimmy Smith's organ trio in the mid 1950s was by all accounts massive. Nothing quite like it had been heard before in popular music. Smith unleashed a wailing, high decibel (for the era) monster which was also capable of expressing gentler moods. Audiences and record buyers went ape and Smith's label, Blue Note, ...
Michael Jackson: Man in a Jazz Mirror - Part II
by Ludovico Granvassu
The second part of this week's special edition dedicated to jazz renditions of the songs of Michael Jackson (and the Jackson 5!) showcases a wide range of approaches, ranging from the muscular, to the atmospheric, deconstructivist and straight-ahead groovy, including a compare and contrast between Vijay Iyer's and Miles Davis cover of “Human Nature." At the ...
Michael Jackson: Man in a Jazz Mirror - Part I
by Ludovico Granvassu
This week let's pay homage to the musical legacy of Michael Jackson. It has been 10 years since Michael Jackson passed away and lots of things have emerged since then, but the popularity of his music remains strong, including among jazz musicians (the majority of the tracks featured this week was released after his ...
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
Pat Bianchi: B3 Master
by R.J. DeLuke
It may be that young Pat Bianchi had little choice but to follow a career in music. After all, his father and both his grandfathers played professionally in his hometown of Rochester, NY, an area that also produced the likes of the Mangione brothers (Chuck and Gap), pianist Frank Strazzeri, saxophonist Gerry Niewood and drum legend ...
