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156

Article: Interview

Jack DeJohnette: Time and Space

Read "Jack DeJohnette: Time and Space" reviewed by John Kelman


It begins with the sound of a resonating bell, followed by a gently cascading piano solo that gradually assumes shape and form, hovering around two chords and creating an inviting ambiance that resolves with another ringing of the bell, segueing gently into the groove-heavy “Salsa for Luisito." The track is “Enter Here," and the album is ...

125

Article: Album Review

Animation: Agemo

Read "Agemo" reviewed by Lawrence Peryer


One of the more intriguing albums issued in the first half of 2011, Animation's Asiento (RareNoise, 2011), has now begotten one of the best sets of the latter part of the year. Asiento was a live reimagining of trumpeter Miles Davis' seminal Bitches Brew (Columbia, 1970), recorded live in December 2006 as part ...

193

Article: Reassessing

John Coltrane: Kulu Sé Mama

Read "John Coltrane: Kulu Sé Mama" reviewed by Chris May


John Coltrane Kulu Sé Mama Impulse!1967 It is rare to find Kulu Sé Mama on somebody's desert-island list of recordings by saxophonist John Coltrane. Why, is a mystery. Despite the brooding intensity of the cover photo, the performances are accessible and delightful, and, as an artifact, although ...

162

Article: Multiple Reviews

Alice Coltrane: The Flowering of Astral Jazz

Read "Alice Coltrane: The Flowering of Astral Jazz" reviewed by Chris May


The launch of Impulse! Records' 2-on-1 reissue series--which packages two original LPs on one CD--includes six key albums from the glorious first flowering of the astral jazz forged by pianist and harpist Alice Coltrane and saxophonist Pharoah Sanders on Impulse! towards the end of the 1960s. The style emerged following saxophonist John Coltrane's ...

121

News: Recording

Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Vol. 1

Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Vol. 1

The explosive transformation of Miles Davis' “second great Quintet" with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Volume 1. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the ...

261

Article: Interview

Patrick Brennan: Rhythms of Passion

Read "Patrick Brennan: Rhythms of Passion" reviewed by Ludwig vanTrikt


Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that “unlike much contemporaneous vanguard music is ...

269

Article: Live Review

Theo Saunders Sextet: San Diego, CA, July 5, 2011

Read "Theo Saunders Sextet: San Diego, CA, July 5, 2011" reviewed by Robert Bush


Theo Saunders Sextet Saville Theatre, San Diego City College San Diego, CA July 5, 2011 Pianist Theo Saunders has an incredible resume. Growing up in NYC, he played with Pharoah Sanders in the 1960s, and in 1971 (at age 24), at the Village Vanguard with the likes of Jimmy Garrison ...

234

Article: Live Review

Undead Jazz Festival: Day 3, June 25, 2011

Read "Undead Jazz Festival: Day 3, June 25, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 | Day 3 | Day 4 Undead Jazz FestivalNew York, New YorkJune 23-26, 2011 Most jazz festivals in their later incarnations look for fancier, more illustrious places to play than they did at inception. The third night of the Undead Jazz festival momentarily ...

404

Article: Take Five With...

Take Five with Max Johnson

Read "Take Five with Max Johnson" reviewed by AAJ Staff


Meet Max Johnson:Max Johnson is a New York-born bassist, composer, and bandleader best known for his work in New York's free jazz and bluegrass scenes. He has played with numerous artists including Anthony Braxton, Candido Camero, Henry Grimes, Perry Robinson, Vernon Reid, William Parker, and countless others.Instrument(s):Bass.Teachers and/or ...

400

Article: Interview

Chick Corea: Creative Giant

Read "Chick Corea: Creative Giant" reviewed by Esther Berlanga-Ryan


Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...


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