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Jim Hall / Geoffrey Keezer: Free Association
by Jerry D'Souza
Guitarist Jim Hall and pianist Geoffrey Keezer continue their association, which began in the nineties, with Free Association, a record that testifies to the intuitive interplay that they have developed over time. The music is at once stimulating and tantalizing as the two weave webs of intricate design. As always, Hall speaks an elegant language that's ...
Jim Hall in Duet with Enrico Pieranunzi & Geoff Keezer: Duologues and Free Association
by Michael McCaw
It's becoming well-documented how Jim Hall has and is exploring the art of the duo in depth, whether with Pat Metheny, Bill Evans, or more recent associations with Enrico Pieranunzi and Geoffrey Keezer. And as classic as albums such as Undercurrent (Blue Note, 1963) or Jim Hall and Basses (Telarc, 2001) are, these more recent duo ...
Jim Hall / Geoffrey Keezer: Free Association
by John Kelman
To the committed artist, music is something that represents a calling rather than a job that provides income from which one ultimately retires. Looking at the number of jazz musicians who continue to work into their 70s and 80s and are constantly moving forward, it's clear that it's more dedication than occupation. Jim Hall's reputation may ...
Free Association
By Jim Hall
Label: ArtistShare
Released: 2005
Track listing: End the Beguine; Bibo No Aozoa; A Merry Chase; Free Association; Furnished Flats (live); Counter Transference; Ouagadoudou; October Song.
Progressions: 100 Years Of Jazz Guitar
Label: Columbia
Released: 2005
Track listing: St. Louis Tickle; Chain Gang Blues; Savoy Blues; The Only, Only One (For Me); Add A Little Wiggle; Clowin' The Frets; California Blues; How'm I Doin' / Dinah; Who's Sorry Now; Danzon; China Boy; Minnahaha; Swingin' On The Strings; Honeysuckle Rose; Guitar Swing; Love Me Or Leave Me; Whispering; Pickin' For Patsy; Little Rock Getaway; Solo Flight; Buck Jumpin'; Twin Guitar Special; I'm Walkin' This Town; Palm Springs Jump; Gee, Baby, Ain't I Good To You; Red Cross; Ol' Man Rebop; On Green Dolphin Street; What Is This Thing Called Love; Body And Soul; My Baby Just Cares For Me; Runnin' Wild; Mountain Melody; Yardbird Suite; The Boy Next Door; Tocata; I've Got You Under My Skin; Aguas De Marco (Waters Of March); Bluesette; Midnight Blue; Unit 7; Naptown Blues; Move; Easy Living; Jean De Fleur; Night And Day; Clockwise; Just Friends; A Taste Of Honey; How Insensitive; Gypsy Queen; June 15, 1967; As We Used To Sing; Should Be Reversed; Manic Depression; Birds Of Fire; Coral; Ralph's Piano Waltz; The Prowler; Bright Size Life; Aqui, Oh; Midnight In San Juan; Europa (Earth's Cry Heaven's Smile); Inner City Blues; Thumper (Edit); Spiral; Captain Fingers; Mr. Spock; Race With The Devil On Spanish Highway; Cause We've Ended As Lovers; Church; Ron Carter; Hottentot; Postizo; Fat Time (Edit);
Free Association; Duologues; Indian Winter
by Francis Lo Kee
It's an accepted fact that Jim Hall is considered one of the most influential electric guitarists in the history of jazz. In fact, December 4, 2005 is his 75th birthday and he is celebrating at the Village Vanguard that week. Two of Hall's most famous recordings are Undercurrent and Intermodulation, duets with pianist Bill Evans. Indeed, ...
America's Been Tough On Jazz
by Eric Pettine
In America, he's his own man—he's got to be—no corporation seeks him out or needs him. Her attitude and attire doesn't always “cut it" with the latest vogue. He doesn't really have a particular deadline or agenda to meet. She's “got her ax down" and she's ready to carve out her own market share. He's got ...
Jim Hall: Magic Meeting
by George Harris
Recorded during his most recent tour, Magic Meeting is an excellent testament to the width and breadth of virtuoso guitarist Jim Hall's talents. Playing with long time associates Scott Colley (bass) and Lewis Nash (drums), Hall breathes fresh life into standards and contributes three originals to this intriguing set of understated and discreet guitar playing.
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