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Cheryl Bentyne and Mark Winkler: West Coast Cool
by C. Michael Bailey
In 2010, jazz vocal specialists Cheryl Bentyne and Mark Winkler began a collaboration that resulted in a live show entitled West Coast Cool that they presented at different venues on the West Coast and beyond. Summit Records commits this show to digital with an album of the same title that is something special. While programming a ...
Frank Wess: Magic 101
by Hrayr Attarian
In 2007, saxophonist and flutist Frank Wess was named NEA Jazz Master, and Magic 101 amply demonstrates why. This mellow session covers six standards and a Wess original, with a candid and unadorned style that is nevertheless powerful in its apparent simplicity.Like a wise raconteur, the 89 year-old (at the time of the recording) ...
Frank Wess: Magic 101
by Dan Bilawsky
Most musicians can't escape the ravages of time, but a select few seem to have taken a sip from the musical fountain of youth. The late Hank Jones, for example, played with brilliance and class until the day he died at the age of 91, and octogenarian drummer Roy Haynes continues to snap and crackle in ...
Duduka Da Fonseca Trio: New Samba Jazz Directions
by Dan Bilawsky
Drummer Duduka Da Fonseca wasn't the first to fuse the rhythmic patterns of Brazil's samba and bossa nova with jazz language and mannerisms, but he's done more with that combination than anybody before him. In the liner notes for New Samba Jazz Directions, Da Fonseca notes that drummer Edison Machado-- working with pianist Dom Salvador and ...
Dann Zinn 4: Grace's Song
by Hrayr Attarian
Saxophonist Dann Zinn's third release as a leader, Grace's Song, is an intriguing and charismatic album. Interestingly, however, the very feature that makes it consistently engaging also results in a lack of thematic unity. This unevenness can simultaneously delight and frustrate, depending on circumstances.Zinn is a virtuoso tenor saxophonist inspired by saxophone master Sonny ...
Global Noize: SLY Reimagined
by Dan Bilawsky
Keyboardist/Programmer/Conceptualist/Producer Jason Miles has a knack for birthing patchwork tribute albums that don't come off as such. The man behind Miles Davis' Tutu (Warner Bros., 1986) programming has also been the force behind well received album-length nods to Davis, Brazilian bigwig Ivan Lins, pop-jazz crossover saxophonist Grover Washington Jr., and Motown megastar Marvin Gaye. Now, he ...
Bob Dorough: Duets
by C. Michael Bailey
Is vocalist/pianist/composer Bob Dorough the Mose Allison of Cherry Hill, Arkansas or is Mose Allison the Bob Dorough of Tippo, Mississippi? The two are famously linked by geographic origin: the country South, time period: '50s to the present, and vocation: singing, songwriting jazzmen. The two also share timeless voices, full of Southern dry dust and humus. ...
Ellingtonian Intimacy: Dukish Duos
by Dan Bilawsky
Duke Ellington elevated the art of big band writing to great heights, but his music was never relegated to the large ensemble corner of the room. While it's true that the large majority of his recordings showcase the ever-evolving, yet incredibly consistent “Orchestra" he fronted, he wasn't averse to presenting his music in small group settings; ...
Carline Ray: Vocal Sides
by C. Michael Bailey
Vocalist Carline Ray has a musical reach that extends to the beginning of jazz. Her father played in James Reese Europe's Society Orchestra in the early years of the 20th Century. Juilliard-trained (as her father was) Ray sang and played guitar and bass in a variety of formats in the International Sweethearts of Rhythm and Erskine ...
Pablo Ziegler's Nuevo Tango Passion: Amsterdam Meets New Tango and Tango Nostalgias
by Dan Bilawsky
Astor Piazzolla invited jazz into the world of tango, birthing a hybridized form of music that's outlived its creator; jazz, proving equally hospitable, opened its doors to Piazzolla and nuevo tango. High-end artists like saxophonist Gerry Mulligan, vibraphonist Gary Burton, and guitarist Al Di Meola all collaborated with the legendary composer/bandoneon player, helping to raise his ...
