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202

Article: Album Review

Gato Libre: Kuro

Read "Kuro" reviewed by Jerry D'Souza


Gato Libre is back, carrying on the musical tradition that marked its last recording, Nomad(No Man's Land, 2007). Natsuki Tamura (trumpet), Satoko Fujii (accordion), Kazuhiko Tsumura (guitar) and Norikatsu Koreyasu (bass) play with an agile sense for melody and detail that suits the compositions to a nicety. Tamura uses Gato Libre to get away from the ...

207

Article: Album Review

Satoko Fujii Trio: Trace A River

Read "Trace A River" reviewed by Jerry D'Souza


Pianist and composer Satoko Fujii returns with Mark Dresser (bass) and Jim Black (drums) on another exciting recording. Not only does Fujii go further in her explorations, she also shows a deeper sense of harmony, developed in tandem with her band. Her writing is varied and accentuates her skill as a composer. In the ...

224

Article: Album Review

Torben Waldorff: Afterburn

Read "Afterburn" reviewed by Jerry D'Souza


Over the course of his recordings, Torben Waldorff has shown his skills as a composer in addition to his undoubted accomplishments as a guitarist. Waldorff wrote six of the tunes here, in addition to one each from composer/arranger Maria Schneider, drummer Jon Wikan and saxophonist Joel Miller. Waldorff and tenor saxophonist Donny McCaslin work ...

157

Article: Album Review

Noah Preminger Group: Dry Bridge Road

Read "Dry Bridge Road" reviewed by Jerry D'Souza


The consequences of investigating a debut recording are often unknown. In the case of saxophonist Noah Preminger the result is, quite simply, positive. He is a player who invests much thought into his playing. He is rich in churning dense, atmospheric forms with an occasional composition having a lighter ambience. Whatever the stance, the underlying appeal ...

201

Article: Album Review

Wadada Leo Smith's Golden Quartet: Tabligh

Read "Tabligh" reviewed by Jerry D'Souza


Trumpeter Wadada Leo Smith's Golden Quartet is an evolving ensemble. The original line-up had Anthony Davis (piano), Jack DeJohnette (drums) and Malachi Favors Magoustos (bass). Then came Woody Aplanalp (guitar), Famoudou Don Moye (drums) and John Lindberg (drums). Smith had changed the line-up to give shape to his music. The current edition of the quartet retains ...

482

Article: Album Review

Paul Bley: About Time

Read "About Time" reviewed by Jerry D'Souza


Pianist Paul Bley has set many milestones along his illustrious career, taking the piano on undiscovered paths and fermenting his art with unbridled imagination. Risk has never daunted him, and even as he takes it, he keeps logic in lockstep.He is as much at home in avant-garde and free explorations as he is in ...

301

Article: Album Review

David Murray & Mal Waldron: Silence

Read "Silence" reviewed by Jerry D'Souza


David Murray (tenor saxophone, bass clarinet) and Mal Waldron (piano) recorded this album in Brussels in 1991. Waldron passed away in 2002, leaving Siilence  as a strong testimony to his art and skill. The natural co-relation between Murray and Waldron characterizes the music. They construct skilled structures with the melody, essaying it ...

287

Article: Album Review

Duology: Golden Atoms

Read "Golden Atoms" reviewed by Jerry D'Souza


Michael Marcus (Bb clarinet) and Ted Daniel (trumpet) have long been distinctive improvisers. Both have made a mark not only on the free jazz scene, but also with mainstream bands. Whatever the setting, they have found the space to add their own impulses to enrich the music. And so, of the many duos that have popped ...

233

Article: Album Review

Steve Cohn: Iro Iro

Read "Iro Iro" reviewed by Jerry D'Souza


Steve Cohn has come a long way as a musician from the early days when he first learned to play the piano and played the blues in a club. He spent two years in Japan, which tells how he came by Japanese instruments like the shakuhachi, the Japanese bamboo flute, and the hichiriki which is a ...

240

Article: Album Review

Szilard Mezei Ensemble: Nad/Reed

Read "Nad/Reed" reviewed by Jerry D'Souza


Szilard Mezei calls his music contemporary improvised music--a term that has often been used and abused, showing how music can either be transformed by imagination or lack thereof. The impact is in direct proportion to the skill of the musicians, which is why listening to the Szilard Mezei Ensemble is such a singular experience. The 14-piece ...


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