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205

Article: Album Review

Various: Rhythm & Blues

Read "Rhythm & Blues" reviewed by Jerry D'Souza


Putumayo World Music has gone across a wide spectrum in picking songs for its look at Rhythm & Blues. The American presence is strongly manifested, but artists from England, including a band that has a singer from Panama, show the wide influence of the music. Vintage singers strut their stuff and new acolytes blend styles while ...

168

Article: Album Review

Marion Brown: Why Not?

Read "Why Not?" reviewed by Jerry D'Souza


Alto saxophonist Marion Brown came off playing with John Coltrane on Ascension (Impulse!, 1965) when he recorded two albums for ESP Disk. On the first, his eponymous 1966 release, the music was fiery and free-wheeling, underscoring Brown's presence as a potent improviser. His second, Why Not?, saw him take a more altruistic approach. He moved away ...

234

Article: Album Review

Torben Waldorff: American Rock Beauty

Read "American Rock Beauty" reviewed by Jerry D'Souza


Guitarist Torben Waldorff does not shy away from a challenge. He channels the unknown for germane ideas that he plumbs with resolute imagination. And it does not matter if inspiration comes on the path to invention or flies from the written note. Waldorff's wrote the music for this CD with his band in mind. ...

514

Article: Album Review

Edward Ratliff: Those Moments Before

Read "Those Moments Before" reviewed by Jerry D'Souza


Multi-instrumentalist Edward Ratliff brings a wide tapestry of sounds to Those Moments Before. His inspiration comes from Henry Threadgill, a funeral march, the tango, and Hong Kong movies, and he has assembled a stellar cast of musicians to help realize his ambitious canvas. The portrait he presents is a dynamic, moving one. Ratliff is ...

215

Article: Album Review

Daniel Ori: So It Goes

Read "So It Goes" reviewed by Jerry D'Souza


Fate deals its own cards. The first instrument of choice for bassist Daniel Ori was the piano which he began playing at his grandmother's house. When he was 14, Ori noticed his brother's electric bass and picked it up. From then on he began his musical journey getting involved with jazz which he began studying in ...

209

Article: Album Review

Kyoko Oyobe Trio: Cookin' At Smalls

Read "Cookin' At Smalls" reviewed by Jerry D'Souza


Kyoko Oyobe brings an eclectic presence to her music. As a composer, she finds inspiration in mainstream jazz to which she adds her own classical music perspective. As a pianist, she condenses her thoughts and then lays them out impressively. She does not lose her sense of place or time when doing so, and her instincts ...

218

Article: Album Review

Jason Adasiewicz's Rolldown: Varmint

Read "Varmint" reviewed by Jerry D'Souza


Vibraphonist Jason Adasiewicz brings a wide ranging sensibility to his compositions. He has a strong feel for mainstream jazz that he pursues and invigorates with a range of free idioms. The music thrives and blossoms, not only in the potency of the mix, but also in its invention and surprise. His band mates enrich the tunes ...

531

Article: Album Review

Tierra Negra & Muriel Anderson: New World Flamenco

Read "New World Flamenco" reviewed by Jerry D'Souza


Flamenco music came out of Andalucía in Southern Spain to spread its vibrant and majestic rhythm across the world. Time brought in changes, as the music absorbed different styles and approaches. Flamenco Nuevo, as the name suggests, is an approach that wraps in modern sounds into an ancient genre. Two of its protagonists, Raughi Ebert and ...

259

Article: Album Review

Pablo Menendez & Mezcla: I'll See You In Cuba

Read "I'll See You In Cuba" reviewed by Jerry D'Souza


Guitarist/vocalist Pablo Menéndez makes a two-pronged point with the title of this CD. He alludes to what could happen if visitors from the United States were permitted to travel to Cuba, and adds a slight twist on the Irving Berlin's “I'll See You in C.U.B.A.," which he sings with zest and verve. Menéndez brings in a ...

164

Article: Album Review

Samo Salamon Trio: Live!

Read "Live!" reviewed by Jerry D'Souza


Guitarist Samo Salamon has shown, through his recordings, that he is capable of pushing boundaries. His instrument is the wellspring for ideas that manifest themselves in his compositions that traverse various genres. His playing is luminous and harmonically rich, driven by the clarity of his ideas. Salamon also continues to mature as a writer. His compositions ...


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