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95

Article: Album Review

Bill O'Connell: Rhapsody In Blue

Read "Rhapsody In Blue" reviewed by Jerry D'Souza


Pianist Bill O'Connell has a varied career as a musician. After studying classical music he found inspiration in jazz and salsa. He shaped his instincts for the latter with Mongo Santamaria with whom he played for two years. From there he gravitated to Sonny Rollins and Chet Baker. This wide spectrum served to expand his skills ...

129

Article: Album Review

Rich Corpolongo Trio: Get Happy

Read "Get Happy" reviewed by Jerry D'Souza


Tenor saxophonist Rich Corpolongo has been a presence on the Chicago jazz scene for several years, during which time he has solidified his base as a performer. In the early days, he played with Herbie Hancock, Eddie Harris and Gary Burton, among others, going on to form his own band, which played several times at the ...

154

Article: Album Review

Jeff King: Catalyst

Read "Catalyst" reviewed by Jerry D'Souza


Saxophonist/woodwind multi-instrumentalist Jeff King has made Toronto his home from the time he came to the city to study jazz, after graduating in classical saxophone, flute and clarinet. Over the years, he has formed his own band and performed with several jazz musicians including a host of Canadians, some of whom are his accomplices on Catalyst. ...

194

Article: Album Review

Kristijan Krajncan Ensemble: Siberian Bear

Read "Siberian Bear" reviewed by Jerry D'Souza


Kranj, Slovenia-born drummer Kristijan Krajnčan first studied the violincello before going on to jazz drumming. The move turned out to be astute for he had now found his niche. On his way to graduating in jazz drumming, and even later, he won several European prizes, and was active on the jazz scene playing in groups that ...

334

Article: Album Review

Frank Gratkowski / Jacob Anderskov: Ardent Grass

Read "Ardent Grass" reviewed by Jerry D'Souza


Over the years, reed/woodwind multi-instrumentalist Frank Gratkowski has formed a series of potent combinations with other musicians. His first was with Georg Graewe in 1992 before he went on to fruitful collaborations with Gerry Hemingway, Wilbert DeJoode, Michael Vatcher and Herb Robertson, among others. Gratkowski has the ingrained ability to turn the presence of his musical ...

208

Article: Album Review

Mr. Marblesz: Mr. Marblesz

Read "Mr. Marblesz" reviewed by Jerry D'Souza


Mr. Marblesz, a band with a twist in its name and its music, has its roots in Toronto, Canada. The music finds a home in jazz, but branches out into several genres with finesse and a decided sense of fun, which raises it to an appreciable level. Guitarist/vocalist Tom Juhas shows flair as a ...

250

Article: Album Review

Barry Romberg's Random Access: The Gods Must Be Smiling

Read "The Gods Must Be Smiling" reviewed by Jerry D'Souza


Over the last 10 years, Random Access has seen changes in its lineup. The concept of the band came from drummer Barry Romberg, who began with home experiments in 2001. His object was to play music spontaneously and, with that idea in mind, the first incarnation of the band came into being. The seven-piece unit consisted ...

160

Article: Album Review

Thomson Kneeland: Mazurka For A Modern Man

Read "Mazurka For A Modern Man" reviewed by Jerry D'Souza


Thomson Kneeland makes a creative surge on Mazurka For A Common Man, with wide-ranging music that captures the bassist's skills as a writer--a trait in evidence right from his first CD, The Voice of Blood (Weltschmerz Records, 2001). He went on to record three more albums with his band, Kakalla--documenting, in tandem, Kneeland's ability to write ...

229

Article: Album Review

Mike Mainieri / Marnix Busstra Quartet: Trinary Motion / Live in Europe

Read "Trinary Motion / Live in Europe" reviewed by Jerry D'Souza


Vibraphonist Mike Mainieri and guitarist Marnix Busstra demonstrated a kinetic relationship on their 2009 recording, Twelve Pieces (NYC Records); a compelling portrait of the musicians playing with and off each other. Its success spurred a tour and, happily, almost two hours of live recorded music. Tone and shape are sketched by the Mainieri ...

156

Article: Album Review

Norman Johnson: If Time Stood Still

Read "If Time Stood Still" reviewed by Jerry D'Souza


Norman Johnson was in high school in Jamaica when he heard George Benson and became interested in the guitar. He says that he was mesmerized by Benson, and though he figured that he was too old at 16 to begin playing an instrument he went ahead. Later studying at the Hartt School of Music with Jackie ...


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