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Article: Album Review

James Hall: Lattice

Read "Lattice" reviewed by Jerome Wilson


James Hall uses an interesting combination of instruments you rarely hear in a jazz quintet on this CD, with his trombone and Jamie Baum's flute sharing the front line. The result, full of cool high-low harmonies, is an intriguing sound that goes in many different directions. The lilting weave of “Shoy" showcases how well ...

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Article: Album Review

Tamuz Nissim: Echo of a Heartbeat

Read "Echo of a Heartbeat" reviewed by Jerome Wilson


Tamuz Nissim is a young woman in the classic mold of a jazz singer. She can interpret lyrics sensitively, breeze through instrumental pieces with adept use of vocalese and scatting, and even write her own songs. She is originally from Tel Aviv but has lived in New York since 2015 and has cultivated relationships with several ...

2

Article: Album Review

Lello Molinari: Lello's Italian Job Volume 2

Read "Lello's Italian Job Volume 2" reviewed by Jerome Wilson


Italian-born bassist Lello Molinari emigrated to the US in the 1980s and is an established part of the Boston jazz scene and a member of the faculty at the Berklee School of Music. In 2016 he released an album reworking the various musics of his homeland into modern jazz and he continues that on this CD. ...

2

Article: Album Review

Dan Pugach: Plus One

Read "Plus One" reviewed by Jerome Wilson


On this debut CD, drummer Dan Pugach shows himself to be a composer and arranger who has mastered the art of making a group sound much bigger than it is. His nonet plays intricate and soulful jazz with the punch of a much bigger band. Pugach is very good at using brawny up-tempo rhythms. ...

4

Article: Album Review

Sara Serpa: Close Up

Read "Close Up" reviewed by Jerome Wilson


Portuguese vocalist Sara Serpa has been a significant presence on the New York jazz scene for several years now, creating music with literary and artistic allusions in the company of renowned musicians like Ran Blake, Nicole Mitchell and Tyshawn Sorey. For her latest project she leads a trio that also features saxophonist Ingrid Laubrock and cellist ...

2

Article: Multiple Reviews

Jazzing Up Childhood Memories

Read "Jazzing Up Childhood Memories" reviewed by Jerome Wilson


Jazz musicians today sometimes draw on all sorts of popular culture for inspiration, including the television shows they grew up with. Here are two fine examples. The Flying Horse Big Band The Bat Swings! Flying Horse Records 2018 The University of Central Florida's Flying Horse Big Band presents a ...

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Article: Album Review

Owen Broder: Heritage

Read "Heritage" reviewed by Jerome Wilson


The cross-pollination of jazz and folk music is nothing new, but saxophonist Owen Broder does push things forward in this exploration of the idea, asking five different composers from varying generations and backgrounds to each write their own take on American folk music for an eight-piece ensemble. Besides Broder himself, the compositions and arrangements ...

2

Article: Album Review

The Mica Bethea Big Band: Suite Theory

Read "Suite Theory" reviewed by Jerome Wilson


In 2005 Mica Bethea was studying music at the University of Northern Florida when he was involved in a serious traffic accident that left him a quadriplegic. That ended his being able to play any musical instruments so instead he threw his energies into learning composition and arrangement. He has released two previous albums of music ...

6

Article: Album Review

Roberto Magris Sextet: Live in Miami @ the WDNA Jazz Gallery

Read "Live in Miami @ the WDNA Jazz Gallery" reviewed by Jerome Wilson


Roberto Magris is an Italian pianist who has an eclectic range of interests but is heavily in thrall to the masters of American bebop. On this particular live recording he leads a sextet that gives that language a pronounced Latin twist leading to a set of fiery performances. Magris uses two horn players, trumpeter ...

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Article: Album Review

James Weidman: Spiritual Impressions

Read "Spiritual Impressions" reviewed by Jerome Wilson


There is a long tradition of using traditional African-American spirituals as a basis for jazz explorations, but that is rarely done in one session with the breadth of approaches James Weidman uses on Spiritual Impressions. From the loping reggae beat on “Didn't My Lord Deliver Daniel" to the New Orleans rumba rhythm on “No Hiding Place," ...


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