Results for "Jerome Richardson"
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Jerome Richardson
Born:
Jerome Richardson's ability to double on a number of instruments in the reed/woodwind family kept him in steady employment for half a century. A first-call reed player in New York and Hollywood, Richardson's work on saxophones and flute have enhanced literally thousands of recording sessions. Always a very valuable musician to have on a session, he excelled on tenor, alto, flute, baritone, and soprano, as if each one were his main instrument. He tended to be underrated or passed over because he was a studio musician who was often mostly in the ensembles, but Richardson was a fine soloist too. Jerome started on alto saxophone at the age of eight
Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums
Label: Craft Recordings
Released: 2023
Track listing: Disc 1: Have Horn, Will Blow; The Chef; But Beautiful; In the Kitchen; Three Deuces.
Disc 2: The Rev; Stardust; Skillet; I Surrender, Dear; The Broilers.
Disc 3: I'm Just a Lucky So and So; Heat 'N Serve; My Old Flame; The Goose Hangs High; Simmerin';
Strike Up The Band; High Fry; Smoke This; Pennies From Heaven; Pots and Pans; Jaws; It's a Blue
World; Blue Lou.
Chris Hazelton: After Dark
by Jack Bowers
Imagine walking down a street After Dark, with nothing important happening, when the sound of music nearby can be heard. Pausing for a moment to listen more closely, the thought occurs that “this is really rather good; I should hang around for a while." That is exactly the vibe that Kansas City-based organist Chris Hazelton and ...
Chris Hazelton: After Dark
by Pierre Giroux
After Dark from Chris Hazelton is a mesmerizing journey into the world of nighttime musings and atmospheric melodies. Jazz musicians are creatures of the wee small hours of the morning and dimly lit streets. Accordingly, Hazelton crafts a nostalgic and contemporary experience that sets the ambience for introspection and contemplation. Joining Hazelton's ...
Matt Wilson: Live at The Cafe Bohemia
by Mike Jurkovic
From its modest opening in 1955 until its closing in 1960, 15 Barrow Street in Greenwich Village, aka Cafe Bohemia, housed such progressive jazz creators as Oscar Pettiford, Horace Silver and Kenny Dorham. Charlie Parker, who lived across the street, was booked to open the club and play for drinks but passed away before his run ...
Eddie "Lockjaw" Davis with Shirley Scott: Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums
by Mark Corroto
There is something undeniably hip about the four discs which make up Cookin' With Jaws And The Queen, the music by tenor saxophonist Eddie “Lockjaw" Davis and Hammond B3 organist Shirley Scott. Recorded in three sessions between June and December 1958, at Rudy Van Gelder's studio, which happened to be in his parents' home, the music ...
Donald Fagen: An Essential Top 10 Albums
by Peter Jones
Actually, the whole notion of a Donald Fagen Top Ten is tricky. Artists like Chet Baker made well over a hundred albums, whereas in half a century Fagen has only released 13 official studio albums, whether with Steely Dan or under his own name, along with a handful of live sets. The process of selecting the ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
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