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Jeremy Pelt: Identity
by Jim Santella
A prolific composer, Jeremy Pelt wrote all the pieces for Identity, his fourth album as a leader. His bright trumpet tone and mellow flugelhorn ambience give the session a highly lyrical quality. The quartet drives with a straight-ahead jazz sensibility that emphasizes spirit over technique. That's not to imply Pelt's anything but a superb ...
Jeremy Pelt at Dizzy's
by Dan McClenaghan
Trumpeter Jeremy Pelt could have been forgiven if he and his crack quartet had turned in a ho-hum performance Monday, January 12, at Dizzy's in downtown San Diego. The band had just wrapped up a successful four day stay at the Jazz Bakery in Los Angeles, and were, at show time, eight hours away from hitting ...
Close To My Heart
By Jeremy Pelt
Label: MAXJAZZ
Released: 2003
Track listing: Weird Nightmare; Excerent; Take Me In Your Arms; 502 Blues (Drinkin' & Drivin'); All My Life; Don't You Know I Care; Pioggia Di Perugia; It's A Beautiful Evening; This Is The
Moment; Why Try To Change Me Now?; In Your Eyes.
Jeremy Pelt: Close to My Heart
by C. Michael Bailey
Jeremy Pelt has the most beautiful trumpet tone exercised today. One needs to listen no further than his cover of Mingus' “Weird Nightmare," where one cannot distinguish his trumpet from his flugelhorn, save for a period in the middle section. On this piece, Mr. Pelt's tone is round and buttery warm in the first and third ...
Jeremy Pelt: Close To My Heart
by Norman Weinstein
There's been a noble tradition of young jazz trumpeters recording with strings – think of Clifford Brown and Chet Baker – and 27 year old Jeremy Pelt puts his very individual spin on this tradition with the release of Close to My Heart, his third album. He shares some affinities with Clifford Brown: a bright crip ...
Profile
By Jeremy Pelt
Label: Blue Moon
Released: 2002
Track listing: Aesop's Fables; The Trivium; Mystique; Pieces of a Dream; A Song for You (Lovebird); Jigsaw; We Share a Moon; You Won't Forget Me.
Jeremy Pelt: Profile
by Jim Santella
His original compositions flow from jazz's straight-ahead tradition. His sextet is keeping the flame alive through solid teamwork and gentle exploration. Their blend treats each instrumental voice equally, but highlights the drummer just a little more than the others. And why not? Ralph Peterson does a superb job of knitting them into one well-composed unit.
