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Brian Hughes: Fast Train To A Quiet Place
by Jeff Winbush
Guitarist Brian Hughes might not consider comparisons between Fast Train To A Quiet Place and early Pat Metheny Group albums all that flattering, but he should. When Metheny was stretching the boundaries of jazz guitar with his recordings for the ECM label, he took the instrument places it had never been before. Metheny has moved on ...
Cindy Bradley: Unscripted
by Jeff Winbush
Every now and then a musician gets bold and breaks the mold. Cindy Bradley's Unscripted is the sound of an artist just going for it. The nearly eight-minute “Prelude/Massive Transit/Interlude" suite that kicks off the album is like a rush of cool air to the face on a hot summer day. It's fast, furious and funky, ...
Hiromi: Voice
by Jeff Winbush
If there's no guitar are you playing rock n' roll? If there's no singing does it make any sense to call an album Voice? Sure it does because after all, this is a Hiromi record and, while there is no guitar within earshot, there is plenty of rocking and rolling going on.Voice is not--repeat---not ...
The Devil and Gil Scott-Heron
by Jeff Winbush
Live long enough and you'll either be disappointed by your heroes or you'll bury them.Did I say “heroes"? Sorry. I meant to say Gil Scott-Heron wasn't my hero. He was an innovator, a trailblazer, a pioneer and an inspiration, but he wasn't my hero.He was just one of the coolest brothers I ...
Andy Snitzer: Traveler
by Jeff Winbush
Even without uttering a single word, music can convey many moods, and Traveler, Andy Snitzer's first album in a decade, finds the saxophonist in a reflective mood. The degree of restraint and reserve in Snitzer's playing runs counter to many of his contemporaries, where loud and long soloing is standard operating procedure.If overplaying can ...
Patti Austin: Sound Advice
by Jeff Winbush
Sound Advice is Patti Austin's first pure pop album in ten years and, as a vocalist, Austin has always moved easily between genres. Austin excels when she's paired with a producer who can bring out her strengths and the material matches her ability. The Real Me (Qwest, 1988) was an example, where the singer and the ...
Sade: The Ultimate Collection
by Jeff Winbush
Did the world really need a new Sade “best of" album? Possibly, since it has been 17 years two albums of new material since The Best of Sade (Epic,1994). The timing of The Ultimate Collection is in no small part related to the fact Sade is off on her first world tour in a decade; since ...
The Rippingtons featuring Russ Freeman: Cote D' Azur
by Jeff Winbush
Of the many incarnations of Russ Freeman's The Rippingtons, the current version is one of the strongest, with the players actually cohering as a band and not simply sidemen in Freeman's long-running side project. He remains the guiding light as the principal composer, writer and producer, giving the other musicians some stimulating music to play. Jeff ...
Keiko Matsui: The Road...
by Jeff Winbush
It's a new year, record label, management, and hairstyle for Keiko Matsui, but her first album since 2007's Moyo (Shout Factory!) finds the Japanese pianist still in fine form. The Road... isn't as radical a shift in direction as Moyo was, as Matsui added African influences to her unique melding of musical styles, but it is ...
Keiko Matsui: And The Road...Goes On
by Jeff Winbush
Keiko Matsui has been out of the studio but relentlessly trotting the globe since 2007's Moyo (Shout! Factory), her acclaimed South African-inspired recording that featured the Japanese-born pianist/composer/producer collaborating with trumpeter Hugh Masakela, among others. The Road... (Shanachie, 2011) marks the further evolution of her signature sound and demonstrates a new chapter in her artistic growth. ...
