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191

Article: Multiple Reviews

William Parker & Hamid Drake: First Communion/Piercing the Veil and Summer Snow

Read "William Parker & Hamid Drake: First Communion/Piercing the Veil and Summer Snow" reviewed by Jeff Stockton


William Parker and Hamid Drake First Communion and Piercing the Veil: Volume 1 Complete Aum Fidelity 2007 William Parker and Hamid Drake Summer Snow: Volume 2 Aum Fidelity 2007 ...

156

Article: Multiple Reviews

Careers That Trane Built: Pharoah Sanders and Alice Coltrane

Read "Careers That Trane Built: Pharoah Sanders and Alice Coltrane" reviewed by Jeff Stockton


Pharoah Sanders The Impulse Story Impulse 2006 Alice Coltrane The Impulse Story Impulse 2006 If Impulse was “the house that Trane built , as author Ashley Kahn ...

764

Article: Record Label Profile

Black Saint / Soul Note

Read "Black Saint / Soul Note" reviewed by Jeff Stockton


Very few among us emerged from the '80s with our dignity intact. But for the Black Saint (and its associated Soul Note) record label, the last half of the decade formed its golden period, when from 1984 to 1989 it won the Down Beat critics poll for “Best Label" and “Best Producer" and established itself as ...

164

Article: Album Review

Sonny Simmons: Live at the Cheshire Cat

Read "Live at the Cheshire Cat" reviewed by Jeff Stockton


In 1980, legendary altoist Sonny Simmons was at his lowest point. Describing himself as “shipwrecked when the gigs dried up and the money ran out, Simmons followed his wife and frequent collaborator, trumpeter Barbara Donald, from San Francisco to Olympia, Washington, with the hope that the change of scene would revitalize their tenuous marriage and put ...

214

Article: Album Review

John Medeski / Matthew Shipp: Scotty Hard's Radical Reconstructive Surgery

Read "Scotty Hard's Radical Reconstructive Surgery" reviewed by Jeff Stockton


Jazz relies on instrumental virtuosity and the reputation of the people making it to distinguish itself, but the Thirsty Ear Blue Series seems to take the opposite approach. Extending the tradition of the Antipop Consortium, the Blue Series Continuum and the Free Zen Society, Scotty Hard's Radical Reconstructive Surgery is another semi-anonymous project that puts producer ...

428

Article: Multiple Reviews

Matt Lavelle: Spiritual Power and War Rug

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Matt Lavelle Trio Spiritual Power Silkheart 2007 Eye Contact War Rug KMB Records 2007 Jazz trios led by a horn other than a saxophone are something of a rarity ...

196

Article: Album Review

Rashied Ali Quintet: Judgment Day, Vol. One

Read "Judgment Day, Vol. One" reviewed by Jeff Stockton


Rashied Ali has always been unfairly typecast as the guy who usurped Elvin Jones from Coltrane's Classic Quartet, enforcing the dividing line between A Love Supreme and Trane's final phase, when the leader became all dissonant and difficult. Trane knew better than us, of course, but Ali's career after Trane didn't do much to change the ...

118

Article: Album Review

JD Parran & Mark Deutsch: Omegathorp: Living City

Read "Omegathorp: Living City" reviewed by Jeff Stockton


JD Parran is a consummate musician's musician, a multi-reedist who has performed in a wide variety of settings, most notably with Julius Hemphill and members of St. Louis' Black Artists Group, as well as Anthony Braxton's ensembles; he was also a member of the horn section Robbie Robertson introduces at the start of The Band's Rock ...

336

Article: Album Review

Steve Coleman and Five Elements: Weaving Symbolics

Read "Weaving Symbolics" reviewed by Jeff Stockton


Philosopher, conceptualist, theoretician and supremely original alto saxophonist Steve Coleman has issued more than twenty albums over the last twenty years under his own name, all of which helped perpetuate his notion of the M-Base (macro-basic array of spontaneous extemporization) collective. Less a musicians' club than a way of thinking about music creation, Coleman and his ...

195

Article: Album Review

Thomas Chapin Trio: Ride

Read "Ride" reviewed by Jeff Stockton


When leukemia claimed Thomas Chapin at the age of forty in 1998, his mixture of the avant garde and the accessible placed him and his rhythm section at the verge of jazz stardom. Already a downtown NYC legend, Chapin was among the first artists to perform at the Knitting Factory and the first to be signed ...


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