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Musician

Jeb Bishop

6

Article: Album Review

Rodrigo Amado / Chris Corsano: No Place to Fall

Read "No Place to Fall" reviewed by John Sharpe


Portuguese saxophonist Rodrigo Amado's early output has been notable for the freewheeling interplay between him and other talented horn players like trombonist Jeb Bishop, trumpeter Peter Evans and multi-instrumentalist Joe McPhee. It's the quartet he fronts with McPhee which contains the seed for this Lisbon studio date from summer 2014, in that it includes the drummer ...

10

Article: Record Label Profile

Astral Spirits: Lifting the Spirit of Jazz

Read "Astral Spirits: Lifting the Spirit of Jazz" reviewed by Jakob Baekgaard


While pop often follows predictable musical patterns, one of the greatest qualities about jazz is its sense of adventurousness and the ability to take the listener on a journey where the destination is unknown. The Astral Spirits label, based in Austin, Texas, and run by musician Nate Cross, truly embraces this quality of jazz.

4

Article: Multiple Reviews

Dan Phillips He's Back And He's Proud

Read "Dan Phillips He's Back And He's Proud" reviewed by Mark Corroto


In just a few short years listeners have changed their thinking about Dan Phillips from “who is dis guy?" to “fantastic news, another Dan Phillips release." Maybe we can attribute this response to the wandering nature of the guitarist. He has lived in Chicago, New York, Bangkok, and Tokyo. Now, back in Chicago his music has ...

3

Article: Album Review

Eric Hofbauer: Book Of Water

Read "Book Of Water" reviewed by Mike Jurkovic


Boston based guitarist and rising star Eric Hofbauer obviously isn't afraid of challenges. But then again, no musician/artist should be if they wish to leave a mark. The compositional intent at first come across rather lofty: a five part, multi-ensemble project interpreting wood, fire, earth, metal, and water, namely the five pillars of Chinese philosophy understood ...

6

Article: Multiple Reviews

John Dikeman And The Origin Of The Species

Read "John Dikeman And The Origin Of The Species" reviewed by Mark Corroto


If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...

4

Article: Album Review

Harris Eisenstadt Old Growth Forest: Old Growth Forest II

Read "Old Growth Forest II" reviewed by Mark Corroto


The eternal debate persists. Is Harris Eisenstadt primarily a drummer or a composer? He composes music for orchestra and chamber ensembles, yet he leads several jazz groups including Canada Day (a quintet and sometimes quartet or octet), the small large ensemble Recent Developments, and this quartet with trombonist Jeb Bishop, saxophonist Tony Malaby, and bassist Jason ...

5

Article: Album Review

Eric Hofbauer's Five Agents: Book Of Water

Read "Book Of Water" reviewed by Jerome Wilson


This CD marks the beginning of an ambitious project for guitarist Eric Hofbauer, five connected recordings based on the Chinese philosophical construct of the Five Agents, wood, fire, earth, metal and water. Each of these recordings is to have a different instrumental lineup, but for this first one, Book Of Water, he uses an explosive jazz ...

6

Article: Live Review

European Jazz Conference Lisbon 2018: Portuguese showcases

Read "European Jazz Conference Lisbon 2018: Portuguese showcases" reviewed by Henning Bolte


Centro Cultural de Belém (CCB); Livraria Ler Devagar European Jazz Conference Lisbon 2018 Lisbon, Portugal September 13-15, 2018 European Jazz Conference Lisbon 2018: Portuguese showcases This year's annual European Jazz Conference, a convention organized by the European Jazz Network, took place at Centro Cultural de Belém (CCB) in the Portuguese capital ...

Article: Album Review

Kyle Bruckmann's Degradient: Dear Everyone

Read "Dear Everyone" reviewed by Giuseppe Segala


Diceva Luciano Berio nel 1974, a proposito della ricerca di “analogie specifiche" tra linguaggio verbale e musica, che “proprio questo tipo di ricerca è un altro modo di vivere una delle condizioni più reali e permanenti della musica, che è quella di rincorrere senza sosta un'utopia di linguaggio," per “scoprire nuove e provvisorie relazioni tra suono ...


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