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Herman Chittison: Pride of Stride
On Monday, when I posted my 2011 interview with Chick Corea, a comment Chick made echoed. It grabbed me when I originally wrote up the interview 10 years ago, but because I was too busy editing the text and preparing it for posting, I forgot to follow up. It was one of those situations where you ...
Joe Chambers: Samba de Maracatu
Joe Chambers is one of the most prolific and intriguing jazz drummers and jazz songwriters working today. He's also a superb vibraphonist and percussionist, and he has recorded on piano. Chambers came up in the mid-1960s as an in-demand sideman for the Blue Note label. His first album date was on Freddie Hubbard's Breaking Point! in ...
Interview: Chick Corea on Fusion
Back in 2011, I interviewed Chick Corea for JazzWax on the rise of jazz fusion in the late 1960s and the formation of his seminal avant-garde and electric groups. Chick's passing last week was a major loss for jazz and for music. In addition to being a dynamic force in traditional acoustic jazz and in jazz-rock, ...
Chick Corea (1941-2021)
Chick Corea, one of the most spirited and heralded jazz keyboardists and composers of the rock era who launched a mystical form of psychedelic jazz fusion in the early 1970s that influenced a generation of young musicians, died on February 9. He was 79. Chick was enormously prolific. Not a day went by that he didn't ...
Lockjaw Davis Meets the Hammond
Tenor saxophonist Eddie Lockjaw" Davis was among the first jazz saxophonists who used an organ combo on tour and when recording. Like many horn players who started out in R&B bands along the Chitlin' Circuit in Black communities throughout the upper Midwest in the early 1950s, Davis realized that the Hammond B-3 organ was a moneymaker. ...
Flip Phillips: Rock With Flip
Flip Phillips, like Charlie Ventura, was cut from the same hyperactive cloth. Both tenor saxophonists crossed over to bop from the tail end of the swing era and both were born ready to jump and jam. While Ventura came up influenced by Coleman Hawkins's tough 'n' gruff approach to the instrument, Phillips was more of a ...
Joe Derise on Bethlehem
Lounge singers are all but forgotten today. Some might say deservedly so, but that would be unfair. The best lounge singers in the '50s were exceptional vocalists and frequently accompanied themselves on piano, guitar or accordion. The term lounge singer originally referred to those who entertained in a small bar or room adjacent to or near ...
Charlie Ventura: Adventure With Charlie
The last time I posted about tenor saxophonist Charlie Ventura was in 2013. As I wrote ruefully back then, the 78-era soloist seems to have disappeared completely from view in today's jazz world, his recordings and contribution sadly forgotten. Throughout Ventura's career, his solos were uniformly high energy, earthy and flawless. He was a swing-era blower ...
Beautiful Cat: Joan Chamorro
Joan Chamorro is a jazz hero. A brilliant musician who plays bass, saxophones and clarinet, Joan is the founder and director of the Sant Andreu Jazz Band, a youth band in Barcelona, Spain. All you have to do is watch him in action in video clips to see the love he spreads and receives from his ...
Lucky Thompson's Ballads (1953-'56)
Lucky Thompson was one of the most gorgeous tenor saxophonists of the post-war period. His tone was pronounced, slippery and confidential and his improvising was as fluid and as seamless as syrup. His sweet spot was mid-tempo numbers, like Lullaby in Rhythm and East of the Sun, but his ballads also were standouts. Delivered with a ...


