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Bob Brookmeyer: The '54 Quartets
In 1952, Bob Brookmeyer wasn't yet quite the aggressive valve trombonist and dynamic arranger who would emerge in the mid-1950s. Prior to 1952, Brookmeyer played piano in Tex Beneke's band, played some slide trombone, and by his own admission had very little contact with jazz musicians. Brookmeyer at the time had plans to spend his life ...
Sinatra: Top 10 Rock Swingers
On May 16, 1966, Frank Sinatra took his first stab at the modern rock idiom. Based on my research, the singer took the plunge with Downtown, the song that Petula Clark had made a hit a year earlier. Recorded by Sinatra at the tail end of the Strangers in the Night session, his reading was painfully ...
Interview: Creed Taylor (Part 18)
Throughout his six-decade career as a record producer, Creed Taylor has operated with bold strokes, subtleties and contrasts. The secret of his success has been to stick with jazz artists he likes best and create novel studio environments in which these artists can thrive and break new ground. [Photo of Creed Taylor and George Benson by ...
Interview: Creed Taylor (Part 17)
The rise of stereo fidelity in the late 1960s and introduction of affordable stereo equipment in the early 1970s created an enormous market for the stereo LP. Clunky record changer consoles were out and individual components were in. If you bought a decent turntable, a tone-arm cartridge, stereo receiver and pair of speakers, stereo records sounded ...
Interview: Creed Taylor (Part 16)
Throughout his six-decade career, Creed Taylor's oversized signature has appeared on the backs of LPs that he has produced. At ABC Paramount, Impulse and Verve, Creed's John Hancock was a personal stamp of approval and a guarantee of the album's contents. Record companies liked the signature because it added a human touch and had cachet. It ...
Interview: Creed Taylor (Part 15)
In my previous series of conversations with Creed Taylor(Parts 1-14), the legendary jazz record producer spoke candidly about his work in the 1950s and 1960s at Bethlehem, ABC Paramount, Impulse, Verve and A&M. At each label, Creed transformed jazz and jazz LP packaging. He also made contemporary stars of jazz artists ranging from Stan Getz to ...
Hidden Jazz Downloads (Vol. 8)
From time to time I post on great downloads that likely have escaped your radar. I do this because iTunes and Amazon can't seem to find a proper way to let consumers know about their latest digital releases. Or in other cases, great downloads are sitting around hidden under artists' names. Still others are clumsily misfiled ...
Denny Zeitlin: Columbia Sessions
Up until now, listening to pianist Denny Zeitlin has been for me like wandering around inside a giant acrylic crystal. No transparent surface in there travels in a straight line, so it's easy to slip off the wall and onto your back, unsure if you're looking up or down. For many years I avoided Zeitlin's recordings, ...
Eydie Gorme: I Wanna Be Around
I'm a closet Eydie Gorme fan. Not a wall-to-wall collector, just your garden variety lover of her sassy, confident, mid-1960s belting sound. I tend to favor Gorme albums and tracks that unleash the singer's inner wham-bam. And there were many. My favorite album is Don't Go to Strangers for Columbia, on which she sang I Wanna ...
Horace Silver: Horace-Scope
Everyone has a favorite Horace Silver album. Mine is Horace-Scope. Recorded in July 1960, the album has a hair-raising lineup of tracks and a superb mix of Silver's grumbling bass lines, high-energy melodies and snap-crisp horns. Don't get me wrong, I love Song for My Father, Six Pieces of Silver and Blowin' the Blues Away. All ...


