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Photostory2: Miles Davis
Last week I started a new series called PhotoStory," in which I feature an iconic jazz photo and invite the photographer to relate what happened the moment the shutter came down on the image. The shaky photo of Miles Davis you see above was taken by Sal Criscillo, a photographer from New Zealand whose color work ...
Red Callender's Gentle Swing
The 1940s and 1950s were frightening decades for bass players. In addition to big-band timekeepers like Jimmy Blanton, Don Bagley, Chubby Jackson and Ray Brown, there were thumping small-group upright masters like Slam Stewart, Curly Russell, Milt Hinton and Tommy Potter. And if that crowd wasn't daunting enough, you had the Big Three solo specialists: Oscar ...
Hidden Jazz Dowloads (Vol. 9)
During one of my recent swings through iTunes and Amazon, I stumbled across five terrific jazz albums you may not know about. Or if you do, you may not be aware that these albums are now available as downloads. As readers of this ongoing feature know, I often come across such gems while hunting for other ...
Who Was Bobby Scott?
Bobby Scott is one of those virtually unknown jazz artists today who had a brief career as a top-flight pianist, composer and arranger in the 1950s. Then he moved into the pop world and disappeared from the jazz scene as a leader, working instead mostly as a studio sideman. In the 1960s and beyond, Scott worked ...
Waiting For Bill Evans
If you're a regular reader of this blog, you know by now that I love photography, especially black-and-white works from the New York School between 1936 and 1963. So from time to time I enjoy inviting photographers of jazz images I admire to explain what happened at the precise moment the shutter closed on their subject. ...
Charles Mingus: Fables of Faubus
Up until May 1959, no jazz composition recorded by Charles Mingus had been as controversial or as politically charged as Fables of Faubus. The song, first recorded 50 years ago this month on Mingus Ah Um, was meant to be a condemnation of Arkansas governor Orval Faubus. In 1957 Faubus had ordered the state's National Guard ...
Tito Puente: Dance Mania
To date, the Latin dance album that holds the record for sales remains Tito Puente's Dance Mania. Recorded in November and December of 1957 and released in early 1958, Dance Mania was the first recording for a major label (RCA) to feature Cuban dance rhythms without relying on commercial gimmicks or jazz constructs. It also was ...
Freddie Hubbard Said It
"On this session, [John Gilmore] didn't play like Wayne Shorter or Joe Henderson, but he played the type of sound that I heard for the album. When he played that solo on Caravan, I said, 'Man, what is this?'... It was kind of a Coltrane sound, and I liked that because he didn't play like anybody ...
Interview: Jackie Cain (Part 4)
The popularization of the 12-inch LP in 1956 boosted the fortunes of Jackie Cain and Roy Kral. On the larger color covers, the attractive duo was portrayed as hopelessly upbeat lovebirds, while their vocals inside sounded more like personal diary entries than the works of third-party songwriters. Producers and LP art directors cast Jackie and Roy ...
Interview: Jackie Cain (Part 5)
By the mid-1960s, Jackie Cain and Roy Kral were slowly becoming victims of a dramatic shift in music tastes. As rock swept away a generation of young listeners, Jackie and Roy's tightly choreographed vocal sound no longer was as radical as it once had been. The couple recorded from time to time and, to reach their ...


