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Jazzwax Mindblowers (Vol. 8)
At the end of each quarter, I go back through my posts of the past three months and pull the best quotes from my interviews. I do this so you have a bunch of great quotes from jazz legends all in one place and a taste of what the full interview holds. Full interviews can be ...
Bob Willoughby (1927-2009)
Bob Willoughby, a West Coast photographer whose candid images of celebrities in the 1950s portrayed the thrill and exhaustion of stardom and whose photos of Big Jay McNeely, Chet Baker, Billie Holiday and other jazz musicians captured their profound commitment to the music, died on December 18th of cancer at his home in Vence, France. He ...
Swinging "What's My Line?"
What's My Line? appeared on TV from 1950 to 1967. For those unfamiliar with the show, the format was brilliant: Four panelists tried to guess the identity of a mystery guest by taking turns asking questions, with the guest answering merely yes" or no." The high point was the celebrity-guest segment, during which panelists wore blindfolds ...
Photostory12: Miles Davis
I've always loved this Herb Snitzer image of Miles Davis. The trumpeter isn't posing or glaring at the camera. Instead, he's caught in motion, looking back at someone who has caught his eye. There's velocity here and a perspicacious flash, like a star athlete captured in mid-air making a split decision. Interestingly, Davis' restless, caged expression ...
June Christy: This Time of Year
Each year, in the days leading up to Christmas, I typically share a favorite offbeat jazz-pop album that conjures up warm images of the holidays. Last year, my pick was Jo Stafford's Happy Holidays: I Love the Winter Weather. This year, my throwback pick is June Christy's This Time of Year (Capitol), which was arranged by ...
Joe Alterman: Piano Tracks
It's easy to carp about the death of jazz and young jazz artists' ignorance of the music's history. Both are soft targets, especially since so many young jazz players seem almost proud that they know little or nothing about jazz's past. Somewhere along the line, old" in our music schools became useless," as if the shock ...
Nat Adderley: Big Sax Section
Two days ago I touched on Coleman Hawkins Meets the Big Sax Section from 1958, on which the tenor saxophonist was teamed with Count Basie's reeds and Billy VerPlanck's charts. In 1960, Nat Adderley [pictured] had a similar encounter, but with a different set of sax giants. On That's Right! Nat Adderley and the Big Sax ...
Tiny Grimes with Coleman Hawkins
Tenor saxophonist Coleman Hawkins and guitarist Tiny Grimes recorded together six times over their long careers. Both musicians were showmen at heart--Hawkins as an imposing and chameleon-like improviser and Grimes as a blues master and r&b showboater. Their first two sessions were in 1944. A third came backing Billie Holiday during a Jazz at the Philharmonic ...
Interview: Ithamara Koorax (Part 2)
I met Brazilian vocalist Ithamara Koorax for the first time a year ago in New York at an amazing holiday party on Sutton Place. Jazz writer Ira Gitler introduced us. Ithamara was in town briefly to sing and had postponed her flight by a day just to make the soiree, which was softly lit and jammed ...
Interview: Ithamara Koorax (Part 1)
In 1958, the bossa nova began to expand beyond Brazil and attract international attention, particularly in the U.S. While jazz artists here began adapting the Brazilian folk beat in the 1950s and early 1960s, the bossa nova didn't become a bona fide sensation until the release of Getz/Gilberto in 1964. On that album, Stan Getz was ...


