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Buddy de Franco + Sonny Clark, PT 2
By 1954, the clarinet was all but finished as a solo instrument. Benny Goodman was largely a nostalgia act. Artie Shaw was completing his final recordings with his Gramercy Five. And other leading jazz musicians who played the “stick" did so out of necessity for studio work or as a secondary instrument. One of the only ...
Buddy de Franco + Sonny Clark, PT 1
Clarinetist Buddy De Franco has had a series of astonishing careers. He has been a leading swing era musician, a big band leader, a bebop headliner, an early participant in merging small-group jazz with the American Songbook, a polytonal experimenter, and champion of all forms of the music. Buddy's first 10 years alone are remarkable. In ...
Chuck Wayne: String Fever
Had Charlie Christian not died of tuberculosis at age 25 in 1942, he certainly would have been the first guitarist to record bebop. His single-string attack on Up on Teddy's Hill with Dizzy Gillespie, captured live at Minton's in 1941, was clearly ahead of its time. But the solo was more blues than bop, a jazz ...
Gil Melle: Blue Note and Prestige
In the 1950s, there were jazz musicians who lived so far into the future intellectually that other musicians from the period called them “far out." Gil Melle was one of those “out of sight" artists. But to merely refer to Melle (pronounced Mell-AY) as a jazz baritone saxophonist doesn't fully explain this creative dynamo who today ...
Photostory14: Jonah Jones
Trumpeter Jonah Jones began recording in 1936 and worked steadily in Cab Calloway's band between 1941 and 1950. In the 1950s, Jones recorded mostly for Capitol, churning out themed albums with crisp jazz renditions of standards. I love this photo of Jones by Hank O'Neal because it captured a certain melancholy in Jones' eyes while the ...
Interview: Gunther Schuller (Part 4)
Gunther Schuller has composed more than 160 original classical and jazz-classical works. In 1994, he won the Pulitzer Prize for Of Reminiscences and Recollections, a memorial composition for his wife, Marjorie Black. Gunther also is the winner of many other awards, including Columbia University's William Schuman Award for lifetime achievement in American music composition. And then ...
Interview: Gunther Schuller (Part 3)
Between 1955 and 1957, Gunther Schuller participated in three fascinating jazz recordings: the Modern Jazz Society (Verve) with John Lewis, Gigi Gryce's Nica's Tempo (Signal) and Birth of the Third Stream (Columbia), which featured music recorded at the 1957 Brandeis Jazz Festival. Each explored jazz-classical concepts, though Nica's Tempo owed more to the linear sound of ...
Interview: Gunther Schuller (Part 2)
The more Gunther Schuller explored the New York arts scene in the late 1940s, the more he gravitated toward jazz. As a young, advanced French hornist with the city's Metropolitan Opera Orchestra, Gunther related completely to the creative enthusiasm, explosive excitement and brilliance of the bebop musicians he heard in the clubs and in concert. When ...
Interview: Gunther Schuller (Part 1)
Gunther Schuller is the eminence grise of the jazz-classical movement. Gunther began playing French horn professionally in 1941 with the New York Philharmonic Orchestra at age 16. He then played with the American Ballet Theater and the Cincinnati Symphony Orchestra before becoming principal horn in New York's Metropolitan Opera Orchestra from 1945 to 1959. In 1950, ...
Bob Freedman on Maynard Ferguson
Bob Freedman is a composer, arranger, pianist and reed player. In the early 1950s, he played alto sax with trumpeter Herb Pomeroy's big band in Boston, writing a good chunk of the orchestra's arrangements. Since 1960, Bob has arranged for more than 30 jazz and pop stars, including Ron Carter, Billy Joel, Joe Williams and Sarah ...
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