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145

News: Recording

Robert Johnson: Complete Tracks

Robert Johnson: Complete Tracks

There's something haunting about Robert Johnson's voice. The blues singer-guitarist sounds at once cock-sure and frightened, giving his recordings the feel of both perspiration and a cold sweat. As I wrote in Friday's Wall Street Journal review (here), Robert Johnson: The Complete Recordings (Sony/Legacy) continues to illustrate that given a chance, simplicity and passion will trump ...

99

News: Opinion

My Stereo System

My Stereo System

Readers constantly ask what kind of system I use to listen to music. Some emailers grouse about the coldness of CDs, others about the dimness of downloads while still others insist that LPs still rule. All may be true, but I'm quite content with my iTunes library. That's probably because my system is pretty tricked out ...

138

News: Recording

Paul Weston: Mood for 12/Solo Mood

Paul Weston: Mood for 12/Solo Mood

Every so often I receive an email from a reader asking whether I really dig easy listening music. My answer is this: Yes, selectively. So do all writers, secretly. Easy listening is the equivalent of a mental rubdown. While I spend most of my days writing and listening to jazz, rock and r&b recordings, there are ...

210

News: Recording

Albert King on Stax

Albert King on Stax

When I was a teenager in the 1970s living with my parents an hour north of New York in Westchester County, I had friends who worked in the record departments of stores that anchored local malls. They knew I loved music and that on my trips to New York I often brought back hip jazz records ...

37

News: Video / DVD

Eyewitness: Thumbs Carllile

Eyewitness: Thumbs Carllile

Last week, JazzWax reader Uwe Zänisch in Berlin sent along a note about guitarist Kenneth “Thumbs" Carllile (1931-1987), a country picker with a superb technique. Rather than spoil the story, let me have Uwe pick it up: “Some days ago I was at YouTube and found a very interesting clip featuring an unusual guitarist in a ...

77

News: Music Industry

Eyewitness: Thumbs Carllile

Eyewitness: Thumbs Carllile

Last week, JazzWax reader Uwe Zänisch in Berlin sent along a note about guitarist Kenneth “Thumbs" Carllile (1931-1987), a country picker with an superb technique. Rather than spoil the story, let me have Uwe pick it up: “Some days ago I was at YouTube and found a very interesting clip featuring an unusual guitarist in a ...

158

News: Video / DVD

Stan Kenton: Portrait of a Legend

Stan Kenton: Portrait of a Legend

For years, if you wanted a documentary on Stan Kenton, you were pretty much out of luck. You either had to find DVDs that included clips of the band over the years or you scrounged around YouTube hoping someone put up something fresh. Now Graham Carter at Jazzed Media has produced and directed Stan Kenton, Artistry ...

83

News: Interview

Creed Taylor: Impulse Years

Creed Taylor: Impulse Years

The founding of Impulse Records in 1960 by Creed Taylor is a fascinating story. My interview with Creed in today's Wall Street Journal here looks at how he came up with the Impulse name while working as the jazz producer at ABC-Paramount. He also talks about the branding strategy behind Impulse's signature orange and black color ...

169

News: Recording

Stan Getz and Cal Tjader

Stan Getz and Cal Tjader

In February 1954, Stan Getz and the George Shearing Quintet were booked on the same bill for a series of West Coast concerts produced by Gene Norman. On the bus trip from Portland to Seattle, Getz tried to kick his heroin habit. The tenor saxophonist intended to be clean before the likelihood of drawing jail time ...

196

News: Recording

Jon Eardley and Phil Woods: Pot Pie

Jon Eardley and Phil Woods: Pot Pie

Jazz was so crowded with talent in the 1950s that it's easy for great artists from the decade to slip into obscurity today. This is especially true of trumpet players. We fixate on Miles Davis, Chet Baker, Kenny Dorham and Clifford Brown, not to mention Dizzy Gillespie, Harry “Sweets" Edison and Roy Eldridge. Rightfully so, but ...


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