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Interview: Sir George Martin (PT. 1)
A few weeks ago, I rented a car in London and drove two hours west to visit the Sir George Martin at his summer home for a Wall Street Journal profile. (The interview appears in today's paper, or go here.) Directions took me through horse country, along narrow roads with dense hedgerows, but I managed to ...
JazzDoc: History of Reggae
Reggae's development in Jamaica has much in common with the rise of post-war jazz, and it parallels the surge of R&B in the U.S. Under British rule until 1962, Jamaicans in the '50s were increasingly conscious of American music when large sound systems and turntables became a staple of social gatherings. In the years before Jamaica's ...
Red Garland + Oliver Nelson
Back in March 1961, saxophonist Oliver Nelson [pictured above] teamed with pianist Red Garland for the first time. Five tracks were recorded with Richard Williams on trumpet, Peck Morrison on bass and Charlie Persip on drums. The session would be the only time Nelson and Garland recorded together—an odd and unfortunate circumstance. What's even stranger is ...
Bonnie Bowden and Stevie Wonder
Singer Bonnie Bowden has an interesting background. Today she performs with jazz groups and swing bands on the West Coast. But from 1972 onward into the 1980s, she was a member of Sergio Mendes' Brasil" groups, which specialized in uplifting, samba-soaked versions of contemporary and bossa nova hits. During this period Bonnie had some interesting studio ...
JazzDoc: Byrds to Eagles
In the mid-1960s, Los Angeles and its surroundings became a haven for emerging folk-rock musicians. New York's Greenwich Villagethe heart of the '50s folk movementhad grown hostile to folk artists who embraced the electric guitar and other rock trappings. Resistance by the old guard was largely political. The generation of Depression-era folk artists who came up ...
Elvis Presley's 'Suspicious Minds'
One of the many joys about writing for the Wall Street Journal is being given the opportunity to report in depth on rock, pop and soul songs I love. One such song is Elvis Presley's Suspicious Minds. In today's edition of Personal Journal" (or online here), I interview Mark James, the song's writer, and Chips Moman, ...
Johnny Mandel: 7 Tribute CDs
Yesterday, around 2 p.m., I became stuck on Cal Tjader's The Shining Sea, which was written by Johnny Mandel for The Russians Are Coming, The Russians Are Coming in 1966. The track features Scott Hamilton on tenor sax and is one of the most beautiful renditions of the song. Which made me realize there really aren't ...
Jane Fielding: Embers Glow
I'm convinced you can spend a lifetime listening to captivating albums by female jazz singers of the 1950s. There seems to be an endless supply. Today, the names of these vocalists are completely unknown or forgotten by most fans of the music. In many cases these women recorded one or two albums in New York or ...
Jimmy Forrest: Sit Down and Relax
On the Prestige Records' thermometer, tenor saxophonist Jimmy Forrest sat roughly halfway between Gene Ammons and Sonny Stitt. Forrest had Ammons' bulldog gospel attack but he also had Stitt's glossy slipperiness. Forrest, of course, had his own distinct swinging style that sounded like the blues mounted on a roller skates. He could be both intimate and ...


