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JazzDoc: Byrds to Eagles

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In the mid-1960s, Los Angeles and its surroundings became a haven for emerging folk-rock musicians. New York's Greenwich Village—the heart of the '50s folk movement—had grown hostile to folk artists who embraced the electric guitar and other rock trappings.

Resistance by the old guard was largely political. The generation of Depression-era folk artists who came up in the late '40s and '50s had created protest music reflecting the struggles of union workers, farm laborers and other groups advocating for workplace change and civil rights. They viewed the younger electric folk-rock artists as vain sell-outs who hadn't paid their dues and understood little about a hard day's work.

Bob Dylan and other younger folk musicians, by conrast, were swept up in a generational movement spearheaded by rock and blues artists. They viewed electric instruments as a natural extension of their own expression and a practical way to be heard by larger audiences. What's more, folk was changing from cause-driven music to self-reflection and rejection of conformity and war. Among the first of these new West Coast folk-rock bands in 1965 were the Byrds.

All of this sets up a six-part BBC documentary on the Los Angeles folk-rock singer-songwriter scene. It features terrific access to talking heads and tracks a movement that reshaped the music business. And by 1975, the East Coast folk elders may have been right.

Here are the six parts (special thanks to the Hollywood Hills daily newsletter)...

Here's Part 1...



Here's Part 2...



Here's Part 3...



Here's Part 4...



Here's Part 5...



And here's Part 6...

Continue Reading...

This story appears courtesy of JazzWax by Marc Myers.
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