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Ben Webster: Webster's Dictionary, 1970
One of my favorite Ben Webster albums from the tail end of his career is Webster's Dictionary, recorded in London for Ronnie Scott Records in October 1970. The label was founded by Scott, the famed British tenor saxophonist and club owner, which tells you immediately it's an intelligent record. By intelligent, I mean that Scott did ...
Backgrounder: Quincy Jones - Twilight Time
Early in March, I posted a Backgrounder on a 1957 album arranged by Quincy Jones in Paris. In the U.S., the LP was released by United Artists and was called Americans in Paris. In France, it came out on Barclay and was known as Et Voila! The album was recorded with Eddie Barclay, the owner of ...
Tony Monaco: Over and Over
One of the most exciting Hammond B3 players today is Tony Monaco. He knows how to shake up the funk and turn it loose. He also brings enormous energy to his playing style, pouring it gleefully into the keyboard and pedals. And it's no wonder, since he came up mentored by the incomparable Jimmy Smith. Growing ...
Johnny Lytle: People & Love
Johnny Lytle was a big deal during the 1960s and early 1970s. In some respects, the vibraphonist and composer perfected an album model that inspired Creed Taylor's CTI label, combining jazz originals and jazzy interpretations of soul hits. In many respects, there isn't a bad Lytle album. One of my favorites was his interpretation of songs ...
Backgrounder: Herbie Mann - Yardbird Suite
By 1957, the West Coast jazz scene was firmly established and its musicians were working regularly in Los Angeles' many recording studios. The best ones worked relentlessly cranking out 12-inch LPs. The same was true of New York's jazz scene, where improvisers found themselves in strong demand by leading labels such as Blue Note, Prestige, Savoy ...
Joe Henderson: Power to the People
A new jazz style emerged in the late 1960s that wasn't an extension of hard bop or free jazz. For a brief period—following the assassination of Martin Luther King Jr. in April 1968 and the onset of fusion in the mid-1970s—a new Black power expression wrapped in pan-Africanism appeared in the works of Black journalists, books ...
Backgrounder: Sonny Stitt - Tune-Up!
Perhaps the high points of Joe Fields's Cobblestone label were a pair of albums by Sonny Stitt released in 1972—Tune-Up! and Constellation. Both were produced by Don Schlitten. On Tunre-Up!, Stitt played alto and tenor saxophone and was accompanied by Barry Harris on piano, Sam Jones on bass and Alan Dawson on drums. What made this ...
12 YouTube Clips of Anita O'Day
Anita O'Day was one of jazz's first “slick chicks." Born Anita Colton in 1919, O'Day was raised in Chicago. She left home during the Depression at age 14 to become a walk-a-thon contestant—the last person standing after sleepless hours won a cash prize. Dance-a-thons would soon follow. In 1936, O'Day began singing professionally and fronted her ...
Impex's Getz/Gilberto; Plus a Chat With Abey Fonn
This month marks the 60th anniversary of Getz/Gilberto's release by Verve Records. The revolutionary bossa nova album recorded in 1963 and produced by Creed Taylor—with the inclusion of Astrud Gilberto singing The Girl From Ipanema and Corcovado—turned the infectious Brazilian beat into a global phenomenon with the young-adult market. In America, the Beatles and other British ...
Backgrounder: Quincy Jones - Americans in Paris
In 1957, Quincy Jones moved to Paris to study composition and theory with Nadia Boulanger and Olivier Messiaen. In his spare time, the producer, composer, arranger, bandleader and conductor became music director at Barclay, a French record company owned by Eddie Barclay, a composer-arranger and contractor. Barclay also was the licensee for Mercury in France. Jones's ...
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