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About Jayne Cortez
Instrument: Poet / spoken word
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Roots Magic Sextet: Long Old Road
by Mark Corroto
The poet Jayne Cortez once wrote I'm taking the blues back to where / the blues stealers won't go / I'm talking the blues back home." For Roots Magic, back home isn't the crossroads where Robert Johnson made that infamous deal with the devil, but the peninsula in Southern Europe we call Italy. Long Old Road ...
A Tasting Menu
by John Chacona
It says a lot for the current state of the music that some of the most interesting music hitting the market is being made by lesser-known artists who might never get a look from major labels. Here are four that have their own particularand very differentcharms. All are worth a spin for the sheer joy of ...
Jazz and the Spoken Word
by Jerome Wilson
This show examines the intersection of jazz and various forms of the spoken word, including rap, beat-era jive and classic poets like Langston Hughes, W. B. Yeats, and Walt Whitman. The musicians interpreting these works include Babs Gonzales, David Murray, Christine Tobin, and Deborah Harry & the Jazz Passengers. Playlist Henry Threadgill Sextett I ...
La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connotainsieme al jazz stessol'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Black History Month Special Hour of Poetry & Jazz
by Maurice Hogue
The salute to Black History Month continues in this episode with an entire hour devoted to poetry and music, as well as more from Christian McBride's The Movement Revisited. New albums sampled are from New Orleans' trio Nutria, microtonal keyboardist Giorgi Mikadze from Georgia (the country of Georgia), trumpeter Susana Santos Silva and her band Impermanence, ...
Poetry and Jazz: A Chronology
by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
Glawdys N’Dee: Lyannaj
by Hrayr Attarian
The term world music" takes a new meaning with singer Glawdys N'Dee's debut, Lyannaj, which means to connect or unite in solidarity--and unite, she does. The Guadeloupean-born, Parisian-educated and Chicago-based N'Dee brings together, in three languages--Creole, French and English--various musical styles of the African Diaspora, from Caribbean rhythms to jazz, and from gospel to the blues. ...