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Trilok Gurtu: Stirring the Big Old Pot
by Ian Patterson
There is a popular theory of mathematical probability, that if you put a typewriter in front of a monkey, it will, through a process of trial and error, eventually produce a play of William Shakespeare. Swayed by the same sweeping logic, others believe that if you put a trap kit and assorted percussive instruments in front ...
Bill Frisell: The ECM Years
by John Kelman
Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...
Bill Frisell: Ramping It Up
by John Kelman
It's always been a not-so-hidden truth, especially in the jazz world, that fans only get a small window into what their favorite artists are about. Artists' commercial releases--usually no more than one per year--rarely document the entirety of the various projects with which they're involved in the course of those 12 months. And when you're someone ...
Jan Garbarek / The Hilliard Ensemble: Officium Novum
by Nenad Georgievski
Officium (ECM, 1993) paired renowned Norwegian saxophonist Jan Garbarek with The Hilliard ensemble--a vocal group with a formidable reputation in the fields of both early and new music--playing a riveting and gorgeous set of compositions that were 500 years old. This unusual pairing proved to be a match made in heaven, as the subtle and wistful ...
Take Five With Mike Rood
by AAJ Staff
Meet Mike Rood:Born into a musical family, Mike has always been immersed in music. He has been playing guitar since he was seven, and his early influences include Stevie Ray Vaughan and Jimi Hendrix. Mike also studied classical piano for 13 years, performing in dozens of recitals and competitions. He won the Nicolas Flagello ...
Trio Mediaeval: A Worcester Ladymass
by C. Michael Bailey
Cobbled together from the scraps and remnants left from Henry VII's 1536-41 dissolution of Catholic Monasteries, this Worcester Ladymass ("Ladymass"--Mass in honor of the Blessed Virgin, in this particular case for the Feast of the Assumption, August 15) was studiously assembled by Nicky Losseff, the music editor for the Norse Trio Mediaeval. Research revealed that neither ...
It's Been A Very Good Year
by Bruce Lindsay
The New Year is past its infancy, leaving toddlerhood behind and heading into those difficult pre-school years. Olympic Fever jostles with a forthcoming Royal Wedding for the attentions of the Great British Public (at least according to the more populist media). Across the Atlantic, Esperanza Spalding won a first for jazz: the Grammy Award for Best ...
Paolo Fresu / A Filetta Corsican Voices / Daniele di Bonaventura: Mistico Mediterraneo
by John Kelman
At a time when cross-pollination has become the new musical evolution, ECM Records remains at the vanguard. Whether blending music of Tunisian origins with European impressionistic concerns and hints of New World groove on oudist Anouar Brahem's The Astounding Eyes of Rita (2009), or marrying Persian percussion with Baroque instrumentation and Fourth World improvisation on keyboardist ...
Places (ECM 1118)
Jan Garbarek Places Jan Garbarek saxophones Bill Connors guitar John Taylor organ, piano Jack DeJohnette drums Recorded December 1977 at Talent Studio, Oslo Engineer: Jan Erik Kongshaug Produced by Manfred Eicher Places brings together another congregation of musicians that could only come ...
Nordic Connect: Spirals
by Troy Collins
Scandinavian jazz has enjoyed quite a renaissance over the past few decades, ranging from the cool Norwegian austerity of Jan Garbarek and Terje Rypdal's seminal 1970's recordings to the fiery Swedish expressionism of Magnus Broo and Mats Gustafsson's recent avant-garde excursions. Spirals, the sophomore effort of Nordic Connect, embraces both aesthetic dualities, serving as a pertinent ...
