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A tribute to Tony Allen plus some new releases
by Bob Osborne
This week a tribute to the great Nigeria drummer, percussionist and songwriter Tony Allen. One of the main collaborators, and musical director, of Fela Kuti's band Africa '70 from 1968 to 1979, he was a central figure in Afrobeat music. In later years he embraced a variety of musical styles, developed “Afrofunk" and worked with a ...
Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums
by Chris May
Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...
Collocutor: Continuation
by Gareth Thompson
Viewing the CV of musician-composer Tamar Osborn is like watching a tapestry unfurl in bewildering detail. Having started out on clarinet and saxophone, performing mostly classical works, she later studied rhythms and ragas in India, then collaborated with a vast array of talents, often fusing Afrobeat and Ethio-funk into jazzy paradigms. She was part of the ...
Give the Drummer (More Than) Some! Part 3
by Ludovico Granvassu
More music featuring projects lead by drummers. Drums for civil rights, solos and duos, and poetry drumming. Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Terri Lyne Carrington “If Not Now (feat. Maimouna Youssef)" Waiting Game (Motema) 0:16 Host talks 5:42 Max Roach “Driva' Man" We ...
In the Heart of Nature: Køs and Mare Berger
by Jakob Baekgaard
Human beings have always tried to figure out their relationship with nature. We look at nature from a distance, but we are also a part of it. We dream of wild nature in the city and seek the answers to the future in the past. The dream of unspoiled nature keeps popping up as a pre-industrialized ...
Jazz from Europe on ECM (1972 - 1976)
by Russell Perry
Previously in this series we have surveyed record labels as representative of the jazz trends in their times—for example bebop on Dial in the 40s, mainstream jazz on Verve in the 50s, and hard bop on Blue Note in the 60s. The German label ECM can be seen as representative of a major trend of the ...
Farnell Newton, Nuphar Fey and a tribute to Jon Christensen
by Bob Osborne
Two featured new albums from Farnell Newton and Nuphar Fey and a comprehensive tribute to Norwegian drummer Jon Christensen who passed away on 18th February Farnell Newton gets up on the good foot and heads off full speed ahead on his second leader album for Posi-Tone. This action packed session features the high powered ...
TuneTown: There From Here
by Friedrich Kunzmann
What happens in Canada stays in Canada. Sadly, this worn out phrasing tends to ring true when it comes to Jazz from there. Regrettably so. The jazz scenes in Québec and especially Toronto are as vibrant as they've ever been and produce some of the more interesting releases out there today. The drummer of the acoustic ...
Wayne Horvitz: Those Who Remain
by Neri Pollastri
L'imprevedibile Wayne Horvitz è qui nelle vesti esclusivamente di autore di due composizioni di stampo schiettamente classico, entrambe impreziosite dalla presenza di un solista improvvisatore. Il primo dei due lavori è un concerto per orchestra in due parti, per complessivi diciassette minuti, interpretato dalla Northest Sinfonia con Bill Frisell in veste di solista. Dopo ...
Results for pages tagged "Jan Garbarek"...
Jan Garbarek
Born:
The Norwegian saxophon player, Jan Garbarek had an early breakthrough into the elite of modern jazz in the 60's, due to his extensive cooperation with Keith Jarrett. His name is listed next to the big names from the U.S. and is associated with the birth of an original european sound in jazz. His tone is clear, indipendent, ascetic and pure. "The north and nature, song and mystery" are what Garbarek calls his origins and these are his unrefutable heritage. If it wasn't for his strong inner connection with Norwegian folklore, he wouldn't be able to integrate Brasilian and Asiatic influences as convincingly as he does
