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Kenneth Whalum III: Taking Jazz Away From The Norm
by K. Shackelford
Kenneth Whalum III, a young jazz saxophonist, continues to grow and shine with his musical exploits. He's performed and helped shaped the live musical experiences of today's top hip-hop artists including Ludacris and Jay-Z, in addition to pop stars such as Justin Timberlake, Ciara and Bruno Mars. One person described Whalum's sound as “creatively engaging, intense, ...
Norfolk And Norwich Festival 2015
by Bruce Lindsay
Norfolk And Norwich Festival Norwich, UK May 8-24, 2015 With a program that includes dance, visual arts, site-specific theatre in city streets and ancient woodland and a few almost impossible to define events, a festival such as the annual Norfolk and Norwich Festival still manages to find space for jazz. ...
Gideon Van Gelder: Lighthouse
by Mark F. Turner
Amsterdam-based pianist Gideon van Gelder filters more bright ideas into his appropriately titled sophomore release Lighthouse, the follow up to the enlightening 2011 debut Perpetual (Kindred Spirits Records). This time the program juxtaposes funky ostinato pieces alongside beautiful tone-poem-like selections drawn from a wellspring of influences that include Stevie Wonder, Prince, and Bjork. ...
Jason Moran: Joyful Proclamations
by Franz A. Matzner
Jason Moran requires no introduction, either as an artistic alchemist or a spokesperson and educator. Moran has left an indelible mark on modern jazz and is now seated at one of the nation's most preeminent performing spaces--the Kennedy Center--as its artistic director for jazz. Already, his capacity for insight, humor, and innovation have launched a new ...
Kris Bowers: A Deeper Look into Heroes + Misfits
by K. Shackelford
Kris Bowers is a pristine example of what the term prodigy embodies. In 2011, at the tender age of 22, he became the winner of the prestigious Thelonious Monk International Jazz Piano Competition. Bowers also received an astute musical education at Julliard School of Music in New York--receiving a Bachelor's degree and Master's degree in Film ...
A Look Back At Robert Glasper's Enoch's "Inaugural" Meditation
by K. Shackelford
One of the most powerful jazz documentation of a Presidential Inauguration was a YouTube presentation of Robert Glasper's “Enoch's Meditation," a piece from his 2005 album entitled Canvas. Glasper, a Blue Note artist and Grammy Award winning jazz piano star, has received critical acclaim for his trio style that weaves together a tapestry of diverse musical ...
Introducing Nir Felder
by Angelo Leonardi
La recente uscita di Golden Age, debutto da leader di Nir Felder (Okeh 2014), conferma i positivi riconoscimenti che il chitarrista ottiene sulla scena musicale di New York. A partire da maestri come Greg Osby, Terri Lyne Carrington o Jack DeJohnette, molti jazzmen l'hanno coinvolto nei loro organici, facendolo conoscere oltre la cerchia del suo pubblico ...
Romain Pilon: Colorfield
by Bruce Lindsay
French guitarist Romain Pilon might have been inspired in his early years by AC/DC's Angus Young, but he's clearly taking his cues from much calmer influences on Colorfield. Pilon is accompanied by tenor saxophonist Walter Smith III, double bassist (and Whirlwind Records owner) Michael Janisch and drummer Jamire Williams on this atmospheric collection. Colorfield ...
Leron Thomas: Zen-Mode Humor
by DanMichael Reyes
The chances of four people conducting a Google search on Leron Thomas that result in all four of them to make the same conclusion about the trumpeter is low. While certain facts--like his time at High School for the Performing and Visual Arts (PVA) in Houston and The New School in New York--will remain true, arguments ...
Christian Scott at Charlie Parker Jazz Festival
by Ernest Barteldes
Charlie Parker Jazz FestivalNew York, NYAugust 25, 2013During a warm afternoon at Tompkins Square Park, trumpeter Christian Scott brought his sextet for a short set that featured many of the band leader's influences and sonic textures, starting with a very contemporary up-tempo groove that showcased his dexterity--he often distanced himself from the microphone ...
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