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193

Article: Album Review

New Zion Trio: Fight Against Babylon

Read "Fight Against Babylon" reviewed by Eyal Hareuveni


The jazz piano trio and Jamaican dub music--the reggae sub-genre that focuses on slowing down the original reggae mix and emphasizing the bass and drums tracks with studio wizardry--seem to be two distant musical universes. Yet producer and multi-instrumentalist Jamie Saft's New Zion Trio debut recording succeeds in blowing fresh winds in the traditional piano trio ...

176

Article: Album Review

The Spanish Donkey: XYX

Read "XYX" reviewed by Glenn Astarita


The Spanish Donkey imparts a take-no-prisoners approach with flailing electronics, bristling movements and a sonic assault that remains consistent during the two extended works of XYX. Meant to be played at a relatively high volume, this trio of prominent, modern-era improvisers/stylists adheres to a semi-controlled state of chaos, marked by doomsday theme-building exercises and polytonal noise ...

130

News: Radio

The Jazz Session #301: Jamie Saft

The Jazz Session #301: Jamie Saft

234

Article: Live Review

Undead Jazz Festival: Day 3, June 25, 2011

Read "Undead Jazz Festival: Day 3, June 25, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 | Day 3 | Day 4 Undead Jazz FestivalNew York, New YorkJune 23-26, 2011 Most jazz festivals in their later incarnations look for fancier, more illustrious places to play than they did at inception. The third night of the Undead Jazz festival momentarily ...

223

Article: Live Review

Undead Jazz Festival: Day 2, June 24, 2011

Read "Undead Jazz Festival: Day 2, June 24, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 | Day 3 | Day 4 Undead Jazz FestivalNew York, New YorkJune 23-26, 2011 Sometimes a great idea just begs to be used again. The first performance of Search and Restore's “round-robin style" improvisation cycle last December proved its worth went beyond novelty. ...

384

Article: Album Review

Jeff Lederer: Sunwatcher

Read "Sunwatcher" reviewed by Mark Corroto


Sunwatchers is a most auspicious debut by saxophonist Jeff Lederer. The reed man chose to reanimate the spirit of Albert Ayler for this session, and along with Ayler's ghost came that of late-John Coltrane spirituality and experimentation.Lederer can been heard as the saxophone behind the creative bands of Ted Kooshian's cartoon and TV show ...

310

News: Advocacy

John Zorn Presents Three Special Benefit Concerts for Japan

John Zorn Presents Three Special Benefit Concerts for Japan

In the wake of the disaster that struck the country of Japan and the still unresolved dangers its people now face, composer and saxophonist John Zorn has organized three special benefit concerts in New York City. Shows will be held at Columbia University's Miller Theater, the Abrons Arts Center, and the Japan Society to raise funds ...

287

Article: Live Review

Jamie Saft Special Quintet at Cornelia St. Café

Read "Jamie Saft Special Quintet at Cornelia St. Café" reviewed by Sean Patrick Fitzell


Jamie SaftCornelia St. CaféNew York, NYNovember 12, 2010Perhaps better known for his electric keyboard work in genre-flouting projects, Jamie Saft also possesses a deep jazz sensibility and prodigious piano technique. It was these talents he sought to exercise with his “Special Quintet" for a 2-night, 4-set stand at Cornelia Street Café. ...

239

Article: Album Review

Mike Pride’s From Bacteria to Boys: Betweenwhile

Read "Betweenwhile" reviewed by Mark Corroto


Certainly, any attempt to pigeonhole this drummer is a lesson in failure; priding himself in his diverse interests, whether recording a duet album of free improvisation with Jon Irabagon, on I Don”t Hear Nothin' But The Blues (Loyal Label, 2009), or playing with punk band Millions Of Dead Cops, Mike Pride he has also distinguished himself ...

179

Article: Album Review

John Zorn: O'o

Read "O'o" reviewed by Stuart Broomer


When John Zorn released The Dreamers (Tzadik) in 2008, it might have seemed like a temporary aberration: Zorn the master of the arbitrary (Cobra), the cutting edge (Torture Garden) and the anarchic (too many projects to mention) had embraced the genres of lounge and 1950s exotica to produce music that, perhaps ironically, approached easy listening, building ...


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