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Francesco Beccaro e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Alto tasso di energia, intensa, con molta improvvisazione ma anche con strutture compositive articolate. Una sorta di inedita fusion, distante dallo stereotipo generale, caratterizzata da un suono a volte volutamente grezzo ma sempre energico e suggestivo. Ogni composizione cerca di essere un messaggio chiaro e punta a coinvolgere l'ascoltatore ...
The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66
by Skip Heller
Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Reflections on Clyde Stubblefield
by Leo Sidran
Reflections on the life and legacy of Clyde Stubblefield, often called the world's most sampled drummer or “the original funky drummer," on the occasion of what would have been his 78th birthday. Including interviews and live recordings with him going back to 1972. This episode features conversations with Clyde and Ben Sidran, anecdotes about ...
Dave Liebman: Placing Free Jazz and the Avant Garde in Musical and Historical Perspective
by Victor L. Schermer
Like free jazz, this interview arose spontaneously from an informal “how are you doin'" telephone conversation between saxophonist Dave Liebman and All About Jazz contributor Vic Schermer. Schermer phoned Liebman to compliment him on his new e-book The Art of Skill: Establishing the Mindset for Unleashing the Music Inside You published by Michael Lake, and how ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head
by Chris May
Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his neck—two or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...
Analog Africa: digging deeper into gold mines of global groove
by Rob Garratt
For casual but curious collectors of eclectic sounds and global grooves, Analog Africa might be the Holy Grail. Since being founded in Germany by Samy Ben Redjeb in 2006, the Tunisian crate digger's deeply personal and highly idiosyncratic imprint has birthed a steady stream of 40 peerless releases and counting--carefully curated collections of rare and obscure ...
John McLaughlin: Where The Muse Leads
by Mike Jacobs
John McLaughlin--Miles Davis protégé. Jazz/rock revolutionary. East-meets-West visionary. Acoustic, electric and electronic guitar maestro. Now elder statesman of jazz--what is there left to say? A lot it seems... As a septuagenarian who was facing debilitating hand issues--and possibly the end of his playing career--he was starting to say his farewells to touring ...
Michael Brecker, Steven Bernstein and the Art of Jazz-Hacking the Pop World - Part 2
by Ludovico Granvassu
This is the second part of our exploration of Michael Brecker's and Steven Bernstein's work as first-call musicians in the world of high-end pop productions. Their capacity to adapt to the demands of these productions while remaining true to their jazz roots has offered millions of listeners that might have looked at jazz with ...
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