Results for "Jacob Garchik"

Jacob Garchik

acob Garchik, multi-instrumentalist, composer, and arranger, was born in San Francisco and has lived in New York since 1994. At home in a wide variety of styles and musical roles, he has become a vital part of NYC’s downtown and Brooklyn scene, playing trombone with the Lee Konitz Nonet, Ohad Talmor/Steve Swallow Sextet, The Four Bags, Slavic Soul Party, and the John Hollenbeck Large Ensemble. In 2012 he released the acclaimed solo CD “The Heavens: the Atheist Gospel Trombone Album”. Since 2006 Jacob has contributed dozens of arrangements and transcriptions for the Kronos Quartet of music from all over the world

Jacob Garchik: Clear Line

by Dan Bilawsky
January 14, 2021

As strange as it may sound, sometimes the best way to break free is to simply box yourself in. Limitations obviously cut off certain possibilities entirely, but they open the mind to so many others in the process. Composer (and trombonist) Jacob Garchik has long subscribed to that line of thinking and he takes it to ...

Clear Line

By Jacob Garchik

Label: Yestereve Records
Released: 2020
Track listing: Visualization of Interior Spaces; Ligne Claire; Stacked Volumes; Sixth Intro; Sixth; Hergé: Vision and Blindness; Moebius and Mucha; Line Drawings of Paul Rudolph; Clear Line.

Troy Dostert's Best Releases of 2019

by Troy Dostert
December 18, 2019

Is it jazz? Perhaps not in the narrowest sense, but each of the releases below arguably retains enough of a foothold in the tradition to justify that description. Maybe we've finally reached the point where the question no longer matters. In any case, what these artists have in common is a commitment to venturing outward in ...

The alpine Saalfelden 2019 experience

by Henning Bolte
October 26, 2019

Saalfelden? For those who don't already know, it is a small Austrian town in a magnificent alpine landscape in the Pinzgau, 70 km west of Salzburg, famous for its jazz festival in August and January and popular as a vacation and sport area. Character The festival has a great 40-years history having built a ...

Anna Webber: Clockwise

by Troy Dostert
February 25, 2019

Although she's a horn player by trade, Anna Webber has always had a fascination with percussion as a basis for her idiosyncratic compositions. With pieces that build in complexity, with rhythms that are continuously reformulated, Webber produces music where a groove is usually present, yet it's typically filtered and recontextualized in surprising ways. Fortunately she's had ...

The Four Bags: Waltz

by Luca Casarotti
May 2, 2018

C'è il rischio di suonare passatisti, didascalici o monocordi, a voler dedicare un disco intero al tempo di walzer. Da questi esiti si tiene lontano il lavoro più recente di The Four Bags, inequivocabilmente intitolato Waltz, che riesce a esplorare con originalità un genere dalla tradizione tanto pregnante. Peculiare, del quartetto newyorkese, è prima di tutto ...

Dafnis Prieto Big Band: Back to the Sunset

by Jack Bowers
April 6, 2018

The alliance of Latin music and American jazz ripened on these shores more than seventy years ago, nourished by pioneers such as Mario Bauza, Chano Pozo, Dizzy Gillespie, Machito, Tito Puente and others. It has been carried forward and enhanced since then by a succession of remarkable innovators including in recent years the Cuban-born drummer Dafnis ...

Alan Ferber Big Band: Jigsaw

by Jack Bowers
April 5, 2018

The Jigsaw mapped out by trombonist Alan Ferber's splendid New York City-based ensemble comprises a number of dissimilar pieces, drawn from a broad range of musical patterns, which makes its assemblage arduous yet ultimately rewarding. Ferber's sophisticated arrangements manifest a pensive, and at times ethereal, temper that is far removed from the realm of flag-wavers and ...

10th Annual Red Hook Jazz Festival To Be Held Across Two Sundays In Brooklyn’s Urban Meadow, June 11 & 18 From 1-6 PM

June 12, 2017

“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill…The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New York ...