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Jacob Garchik
Since 2006 Jacob has contributed dozens of arrangements and transcriptions for the Kronos Quartet of music from all over the world. His arrangements were featured on “Floodplain” (2009) and “Rainbow” (2010). He composed the score for Kronos for the documentary film “The Campaign” (2013) about the fight for marriage equality in California, which aired on PBS and at the frameline37 film festival in San Francisco. Complete list of arrangements for Kronos
As a trombonist Jacob has worked with many of the luminaries of the avant-garde, including Henry Threadgill, Laurie Anderson, Anthony Braxton, Anthony Coleman, Joe Maneri, Frank London, James Tenney, Josh Roseman, Don Byron, Terry Reilly, George Lewis, and Billy Martin. He has also played in ensembles led by rising artists such as Mary Halvorson, Dan Weiss, Miguel Zenon, and Steve Lehman. In 2013 he was named a “Rising Star” in the Downbeat Magazine Jazz Critic’s Poll.
Jacob also plays accordion, bass trombone, tuba, computer, and piano.
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Album Review
Miles Okazaki: Boomtown
by Vincenzo Roggero
Come nel precedente, apprezzato Miniature America (Cygnus Recordings, 2024) il chitarrista e compositore Miles Okazaki è alla guida di una formazione di ben dieci elementi ma con una differenza non da poco, al posto delle tre voci femminili si raddoppiano contrabbasso e trombone e si aggiunge la batteria, riunendo alcuni dei musicisti più in vista della scena newyorkese. Così Boomtown prosegue nel processo creativo iniziato con l'album precedente che prevede l'utilizzo di ensemble di grandi dimensioni per dar forza e ...
Continue Reading...Simon Hanes: Gargantua
by Mark Corroto
Two quotes come to mind in the wake of Simon Hanes' Gargantua. The first is from Perry Farrell of Jane's Addiction: Camera got them images / Camera got them all / Nothing's shocking... The second, often attributed to William S. Burroughs: Nothing is true, everything is permitted." Taken together, they suggest a world where boundaries dissolve and meaning becomes fluid. Hanes both affirms and challenges that premise in this sprawling, provocative work. Gargantua is written for an ...
Continue Reading...Album Review
Simon Hanes: Gargantua
by Vincenzo Roggero
Tre batterie, tre bassi elettrici, tre tromboni, tre corni francesi e tre voci, questo l'ensemble che mette in scena Gargantua, album proveniente dalla sempre più benemerita Pyroclastic Records. Inusuale, sorprendente, bizzarra strumentazione? Niente affatto, se in cabina di regia siede Simon Hanes, visionario artista, californiano di nascita ma residente a Brooklyn, che miscela le più disparate suggestioni musicali--siano esse polifonie rinascimentali, hard rock, noise, minimalismo, avant jazz, o colonne sonore italiane anni sessanta/settanta--con sorprendente nonchalance e altrettanto sorprendenti risultati.
Continue Reading...Ye Olde 2: Ye Olde 2: At the End of Time
by Glenn Astarita
Ten years after the first Ye Olde (Yestereve Records, 2015) was framed around a fantasy quest into a riotous Brooklyn guitar summit, trombonist extraordinaire Jacob Garchik returns with Ye Olde 2: At the End of Time, a 48-minute sci-fi prog jazz odyssey stretching from the heat death of the universe to the resurrection of consciousness itself. The original crew--Mary Halvorson, Brandon Seabrook, and Jonathan Goldberger on guitars, Vinnie Sperrazza on drums--anchors six of the eight tracks plus the ...
Continue Reading...Peter Lenz: Breathe
by Angelo Leonardi
Dopo aver espresso ottime doti di strumentista e leader col quintetto Silent Flow e col quartetto Lithium, il batterista austriaco debutta con successo nel campo dell'orchestrazione, scegliendo di operare con tre differenti organici: una big band di 17 elementi (nei brani Enclouded" ed Eleanor"), una big band ampliata a un quartetto d'archi (in Between Lines" e Von Inneren Grenzen") ed un ensemble da camera comprendente quartetto d'archi, tre fiati, contrabbasso e batteria (in Breathe") Volendo dirigere personalmente gli ...
Continue Reading...Mary Halvorson: About Ghosts
by Doug Collette
Since Mary Halvorson began her prolific affiliation with Nonesuch Records, she has refused to repeat herself except with a purpose. The simultaneous release of Amaryllis & Belladonna (Nonesuch Records, 2022) was the precursor to the expansive Cloudward (Nonesuch Records, 2024), while About Ghosts represents a retrenchment, albeit a productive one. On five of these eight cuts, the identical Amaryllis Sextet that appeared on the latter LP interacts smoothly with guest saxophonists Immanuel Wilkins and Brian Settles. Such synchrony ...
Continue Reading...Mary Halvorson: About Ghosts
by Mike Jurkovic
It has become more than an urban legend that Brooklyn's genius-in-residence Mary Halvorson is supernaturally up to something. Some new route around something else. On her second resiliency test of the year--her first, the fiery Bone Bells (Pyroclastic, 2025) alongside hot-house pianist Sylvie Courvoisier still rattles the playlist--Halvorson's About Ghosts tells of wide open spaces with a wide open lens. Its intricate inner architecture is so comfortably ethereal that you sway freely within its charm and frenzy. About ...
Continue Reading...Abstracts, a new CD by Jacob Garchik
Source:
All About Jazz
Announcing Abstracts, a new album on Yestereve Records by trombonist and composer Jacob Garchik. He is a member of the critically acclaimed Lee Konitz New Nonet, which recently recorded live at the Jazz Standard. He also plays with the Steve Swallow/Ohad Talmor sextet, the John Hollenbeck Large Ensemble, Frank London's Klezmer Brass All-Stars, Slavic Soul Party, and many others. He is as comfortable and experienced playing duets with Lee Konitz as he is freely improvising with Joe Maneri, working with ...
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Photos
Music
The Number of the Beast is 666
From: GargantuaBy Jacob Garchik
The Cocktail Party
From: Miniature AmericaBy Jacob Garchik
Eager
From: Slow WaterBy Jacob Garchik
