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David Sanborn: The Curtain Rises on Sanborn Sessions
by Jim Worsley
Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this ...
Andy Fusco: Vortex
by David A. Orthmann
Vortex, Andy Fusco's fourth release on the SteepleChase imprint in as many years, is cause for celebration. Until recently, recordings by the veteran alto saxophonist as a leader have been few and far between. The date reunites Fusco with tenor saxophonist Walt Weiskopf, who composed four of the selections and arranged nine of the ten tracks. ...
Michael Dease: Never More Here
by Dan McClenaghan
Trombonist Michael Dease released Bonafide (Posi-Tone Records) in 2018. The disc was a testament to some of his influences—pianist Geri Allen, trumpeter Marcus Belgrave, trombonist J.J. Johnson. For his 2019 testament, Never No More Here, he tips his hat to saxophonist Charlie Parker. But he doesn't cover “Confirmation" “or “An Oscar For Treadwell" or “Segment," familiar ...
Take Five with Ed Palermo
by AAJ Staff
Meet Ed Palermo Ed Palermo is an arranger, composer and alto saxophonist mostly known for his big band and their interpretations of the music of Ed's hero, Frank Zappa. Coming out of college in Chicago, his initial plan was to become a great jazz tenor saxophonist in the vein of Michael Brecker, Steve Grossman and Dave ...
Blue Note's 80th Anniversary Vinyl Initiative
by Patrick Burnette
Blue Note moves in mysterious ways. It seems like only a few months ago that the storied jazz label announced its Tone Poet vinyl series, because, well, it was only a few months ago, and here they are with yet another entry in the vinyl reissue game: the Blue Note 80th Anniversary Series. Like the Tone ...
The Alto After Bird - Pepper, Woods, McLean, Adderley (1957 - 1960)
by Russell Perry
When Charlie Parker died at 34 in 1955, it was as if an ancient tree fell in the forest with the resulting sunlight promoting the growth of numerous alto saxophone progeny. Art Pepper appeared in Stan Kenton's Orchestra in 1950 and by 1953 was recording as a leader while still collaborating with West Coast colleagues like ...
Steve Lehman Trio + Craig Taborn: The People I Love
by Mark Corroto
It is easy think about the shock of the new that was bebop when listening to The People I Love by alto saxophonist Steve Lehman's trio. Not that Lehman plays bebop as it was in the 1940s. It took mammals millions of years of evolution to climb down out of trees and fashion tools, but it ...
The Lyricists - Benny Golson, Gigi Gryce, Art Farmer (1953 - 1962)
by Russell Perry
"Musicians of a gentler, more lyrical bent ... found in hard bop a more congenial climate than bebop had offered: for instance, trumpeter Art Farmer, [and] composers Benny Golson and Gigi Gryce.... In a sense, such musicians were not hard boppers at all. They are, however, partially associated with the movement for two reasons. First, they ...
Bill Bruford's Earthworks: Earthworks Complete
by John Kelman
Since retiring as a professional musician in 2009, progressive/art rock turned jazz drummer Bill Bruford has successfully managed to maintained a place in the public eye. Beyond his engaging, informative and successful Bill Bruford: The Autobiography (Jawbone Press, 2009), the drummer/percussionist has more recently released a second, equally captivating book, Uncharted: Creativity and the Expert Drummer ...
Sons of the Jazz Messengers (1956 - 1964)
by Russell Perry
In 1956, with Horace Silver's departure, Art Blakey inherited the Jazz Messengers. Over the next five years, the Jazz Messengers took part in recording sessions that have resulted in almost 40 live and studio recordings. Also in this period, Blakey collaborated with players who became the stars of Hard Bop. In this hour, we will hear ...
