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The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
Results for pages tagged "Jack Teagarden"...
Jack Teagarden
Born:
Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920’s territory and New York jazz scenes to shortly before his death in 1964. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. Teagarden was born in 1905 in Vernon, Texas. Born Weldon Lee Teagarden or Weldon John Teagarden (more sources say Weldon Lee, but John makes more sense considering his nickname), Jack’s earliest performances were working with his mother Helen, who played ragtime piano, in theaters
Jack Teagarden: Trombone King
The soulful jazz trombone starts with Jack Teagarden. He began recording in 1927 and over the decades developed a rich, expressive playing style that touched listeners of all ages and backgrounds. Though he was predated by plenty of trombonists, such as Miff Mole and Tommy Dorsey, Teagarden was the most innovative of the pre-war era, largely ...
The Very Singular Mr. Ran Blake
by Duncan Heining
There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...
Joshua Redman, Marc Copland and more
by Joe Dimino
This week we open the show with a very seasoned jazz saxophonist that recently moved to Kansas City, Adam Larson. From there we move to the UK scena and dig into new sounds from the Black Lab Beats and put a focus on great new jazz being released from the likes of Hendrik Meurkens, Peter Hand ...
Dexter Payne: All Things, All Beings
by Chris M. Slawecki
Clarinet, harmonica and saxophonist, composer and bandleader and musical globetrotter Dexter Payne is the type of musician who is most often categorized as “difficult to categorize." Profoundly influenced by physical and spiritual journeys through the cultures of America, the Middle East, Africa and Brazil, Payne's recorded output checks off every box from Mississippi delta blues to ...
Mosaic Blow-Out, Anita @ 100 & More
by Marc Cohn
So, my log book reminded me it was time to play some Fats Waller, and the Savory box just arrived from Mosaic, which contains fabulous Waller airchecks. Done! Well, one thing lead to another, and as you see below, more Mosaics screamed for attention. Anita O'Day is 100 in the Fall--time for a warmup with Sings ...
Blue Highways and Sweet Music: The Territory Bands, Part I
by Karl Ackermann
Part 1 | Part 2 OriginsBy the second half of the 1920s, New York had supplanted jny: Chicago as the center of jazz. The “Jazz Age"--a label incorrectly ascribed to F. Scott Fitzgerald--could rationally have been framed as the “Dance Age." Prohibition, and the speakeasies that it spawned, were packed with wildly enthusiastic patrons ...
Penang House Of Music: Shining Light On Penang's Jazz/Indigenous Music Heritage
by Ian Patterson
In the heart of downtown Georgetown, Penang, on the top floor of KOMTAR, a typically bustling Malaysian shopping mall, an oasis of calm can be found in Penang House of Music. Calm, but stimulating too, for PHOM is a museum-cum archive celebrating Penang's rich and varied musical heritage, including the island's long-standing, ever-evolving relationship with jazz. ...
Preserving the Cradle of Jazz: The New Orleans Jazz Museum
by Karl Ackermann
The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...
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