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293

Article: Album Review

Steve Evans Quartet: 2 Sets

Read "2 Sets" reviewed by J Hunter


According to the liner notes for 2 Sets, the Steve Evans Quartet attempted a live recording in 2005, but the effort was marred by “technical difficulties ; that could mean anything from a persistently-buzzing amplifier to some guy near the stage who wouldn't stop talking on his cell phone. Rather than try to tape another gig ...

235

Article: Album Review

Jack Walrath: In Montana

Read "In Montana" reviewed by J Hunter


Trumpeter Jack Walrath went back to Montana in January of 1980 to accomplish three things: visit his parents, burn down his old high school, and do a recording with a local quartet called--interestingly enough--Montana. Walrath never got around to torching his alma mater, but he did develop a working relationship with four talented musicians who were ...

161

Article: Album Review

Jeff Hackworth: How Little We Know

Read "How Little We Know" reviewed by J Hunter


Some things just scream “quality : The hood ornament of a Mercedes, for example, or the sky-blue boxes used by Tiffany. In jazz, a sure sign of quality is the name “Rudy Van Gelder. Seeing the celebrated engineer in an album's liner notes meant that this was a record of quality, with a sound as crisp ...

184

Article: Album Review

Omer Avital Group: Room To Grow

Read "Room To Grow" reviewed by J Hunter


In 1996, the Omer Avital Group was in transition. Due to their increasing workload outside the band, Avital was forced to replace original members Ali Jackson and Mark Turner. Losing musicians of that quality would have crippled other groups; but if Room To Grow (recorded live at Smalls the following year) is any indication, the band ...

228

Article: Album Review

Simona Premazzi: Looking for an Exit

Read "Looking for an Exit" reviewed by J Hunter


If Looking for an Exit proves anything (aside from the fact that pianist Simona Premazzi is a force to be reckoned with), it's that a good education goes a long way. When Premazzi wasn't playing in the Mingus septet at Milano's acclaimed Jazz School Academy, the northern Italy native was backing up stalwarts like Dave Leibman, ...

175

Article: Album Review

Ned Goold Quartet: March of the Malcontents

Read "March of the Malcontents" reviewed by J Hunter


Mitch Borden--the leading light behind New York's aptly-named Smalls jazz club--has a pretty cool policy: On weekend nights before the main show begins, he gives stage time to bands that he believes deserve more exposure. Borden also personally works the sidewalk outside the West 10th Street establishment, urging passersby to come in and give these groups ...

129

Article: Album Review

Dan Loomis Quartet: I Love Paris

Read "I Love Paris" reviewed by J Hunter


It's the quiet ones you have to watch for. Not the furtive loner, living behind drawn shades at the end of your cul-de-sac; but the music that crawls into your ear on little cat feet and whispers, “This is not what you're used to. This... is something else. I Love Paris sends that message loud and ...

194

Article: Album Review

Jim Saltzman: Hidden Intentions

Read "Hidden Intentions" reviewed by J Hunter


An accomplished sideman (Dave Valentin, James Spaulding, Claudio Roditi) and a graduate of William Paterson University's acclaimed jazz studies program, woodwind multi-instrumentalist Jim Saltzman is a mainstay of the New York and Philadelphia jazz scenes. With a resume like his, the fact that Saltzman's playing is as self-assured as any national act is no surprise. The ...

522

Article: Album Review

Ron Carter: Dear Miles,

Read "Dear Miles," reviewed by J Hunter


The fact that the late iconic trumpeter Miles Davis still generates controversy is a real indicator of his earth-shaking impact on the genre. What's your favorite Miles debate: Acoustic Miles, or Electric Miles? Kind of Blue (Legacy, 1959), or Bitches Brew Legacy, 1969)? Bill Evans, or Bill Evans? Tutu: An affront to all that's good and ...

311

Article: Album Review

Kendrick Scott Oracle: The Source

Read "The Source" reviewed by J Hunter


The first time I saw Kendrick Scott, he wasn't supposed to be there. Eric Harland was a no-show for the Terence Blanchard Sextet's 2003 gig at the Skidmore Jazz Institute (a summer program that counts Scott as an alumnus), so Scott filled in, and acquitted himself admirably. When Terence Blanchard's Flow tour came to Albany in ...


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