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Stefano Bollani / Hamilton de Holanda: O que sera
by Ian Patterson
There's a relative paucity of piano and guitar duo recordings; Bill Evans and Jim Hall in the world of jazz, Horacio Salgán and the late Ubaldo de Lio in the world of tango, and Pamela and Robert Trent in the classical world are notable exceptions. When it comes to crossover, jazz pianist Michel Camilo and flamenco ...
Arrigo Cappelletti Quintet: Hot Music
by Glenn Astarita
Pianist Arrigo Cappelletti's third album for UK-based Leo Records merges the best of many jazz propositions. With fellow Italians manning the frontline and the Norwegian rhythm section tendering sympathetic accompaniment, the musicians focus on melodic content, used as a vehicle for numerous song forms and extrapolations. Extremely tight and well-rehearsed, Cappelletti directs the quintet through knotty ...
Fondazione Siena Jazz Summer Workshop 2013
by John Kelman
Fondazione Siena Jazz Summer WorkshopSiena, ItalyJuly 24-August 7, 2013While there are those who continue to suggest that the death knell for jazz has been sounded--and loudly--they're clearly not looking at the vast number of young musicians studying the music, both privately and, increasingly, in university programs. It's hard to imagine that only fifty ...
Messina Sea Jazz Festival 2013
by Francesco Martinelli
Messina Sea Jazz Festival 2013Messina, ItalyJuly 17-21, 2013Messina, the city on the Sicilian side of the Straits connecting the Thyrrenian and the Ionian seas--for the geographically challenged, that bit of sea on the point of the Italian boot--is not on the list of the most famous Italian or even Sicilian ...
Paolo Fresu Devil Quartet: Desertico
by Dan Bilawsky
Italian trumpeter Paolo Fresu has always been more angel than devil, though he's fronted quartets that name check both of those respectively heavenly and hellish entities. His horn work is coolly lyrical and spellbinding, regardless of the setting it's found in, but Fresu also has an impish side to his personality that takes over at certain ...
Berserk!: Berserk!
by Glenn Astarita
What, you might ask, qualifies a record as Berserk? In this case, going Berserk! combines a string of cunning abstracts, tinted with goofy metrics, blistering progressive-rock etudes, anti-pop, heavy metal and ghostly ambient electronics effects. The masterminds are Italians, vocalist/multi-instrumentalist Lorenzo Esposito Fornasari and bassist Lorenzo Feliciati. Perhaps the leaders overdosed on energy drinks, given the ...
Interview: Davide Recchia
Q: Where did the interest in music originate from? A: I started becoming interested in music when I listened to some blues artist like Son House, Robert Johnson, Howlin' Wolf, and many others of that kind of blues. So I start to play my guitar to became a bluesman like that. Q: Were your parents supportive ...
Berserk!: Berserk!
by Jeff Dayton-Johnson
Bassist Lorenzo Feliciati is the driving force behind Naked Truth, whose Ouroboros (RareNoise, 2012), featuring trumpeter Graham Haynes, is an invigorating sonic slab of post-Miles Davis post-jazz-rock. Feliciati and vocalist Lorenzo Esposito Fornasari here convene a coterie of like-minded post-everything musicians to go Berserk!The hybrid music they make takes Naked Truth as a starting ...
Giovanni Guidi Trio: City of Broken Dreams
by John Kelman
It seemed inevitable. After working with Italian trumpeter Enrico Rava on 2013's Michael Jackson tribute, Rava on the Dance Floor, and 2011's more intimate Tribe, it should come as no surprise that pianist Giovanni Guidi--the only connecting thread between those two records (other than, of course, Rava)--should find himself with an opportunity to make his own ...
Pierluigi Balducci: Blue from Heaven
by John Kelman
Traveling the world from South Africa to Svalbard, a harsh truth is revealed: despite challenges facing recorded music--and, paradoxically, the sheer volume being released--an increasing number of musicians deserving broader recognition are unable to transcend their native countries. Hiring internationally renowned players might seem a good tactic, but the result too often reflects exactly what it ...
