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Article: Interview

Burt Eckoff: A Pianist's Close Encounters With the Greats of Jazz

by Idelle Nissila-Stone
May 14, 2015

Active in the New York City jazz scene since the 1960s, pianist Burt Eckoff played with many jazz greats, among them Howard McGhee, Maynard Ferguson, Art Blakey, Sonny Stitt and Archie Shepp. He is known for exceptional artistry in his work with vocalists Dionne Warwick, The Drifters, Eddie Jefferson, and most importantly Dakota Staton, with whom ...

Article: Interview

Pat Petrillo: Performance, Education, and Groovalution

by Ben Scholz
May 13, 2015

Recognized as one of the first instructional video producers, drummer Pat Petrillo set a standard for educational media with his landmark 1987 recording Snare Drum Rudiments. Since then he has developed a remarkable career as a performer and educator. Pat and I sat down at the APAP convention in New York City to discuss his history, ...

News: Interview

Interview: Nancy Harrow

May 12, 2015

Vocalist Nancy Harrow may not be a household name, but in the early 1960s she recorded with some of the best jazz musicians in the business. The list included Dick Katz, Jim Hall, John Lewis, Phil Woods, Connie Kay and Gary McFarland. Modeling her vocal style of her favorite singer, Billie Holiday, Nancy specialized in a ...

Article: Interview

Eivind Aarset: The Edge Between Intimacy and Courage

by Adriana Carcu
May 7, 2015

Guitarist and composer Eivind Aarset is one of the most imaginative exponents of the spirit of open diversity that defines and differentiates the Nordic Jazz soundscape. Coming along a progressive-rock line of influence enriched by a world music heritage and refined by electronics, his music emanates the radiant energy of an unfolding white lotus flower that ...

Article: Interview

Andy Sheppard: Tales From the Bristol Underground Jazz Revolution

by Ian Patterson
May 5, 2015

"Jazz has always been an underground thing. It doesn't have the power and might of opera, but it should," says Andy Sheppard, shortly after the UK premier of Surrounded by Sea (ECM, 2015) at the Bristol Jazz & Blues Festival. “Everyone in the music industry has a respect for jazz music, and they should, I think, ...

Article: Interview

Sarah Riedel: Living Up To Expectations

by James Pearse
April 26, 2015

The world of jazz is no stranger to the sound of the Swedish language. Alice Babs and Monica Zetterlund--and more recently, Rigmor Gustafsson--are just a few of the names of jazz vocalists hailing from this cold northern country that have reached the ears of US and UK audiences. Some people believe that spoken Swedish ...

News: Interview

The Swinging Shepherds

April 23, 2015

In the final installment of my three-part series on off-the-radar jazz supergroups of the 1950s, I'm turning today to Buddy Collette and His Swinging Shepherds—a West Coast quartet of superb flutists that regrettably recorded only two albums for Mercury. Both albums were arranged by Pete Rugolo, who pulled out all the stops in terms of writing ...

Article: Interview

Thana Alexa: Singer And Instrument

by R.J. DeLuke
April 20, 2015

Music started tugging at the sleeve at the age of three for Thana Alexa, a New York based singer who began making music there as a violinist, moved to Croatia where she discovered jazz, and returned as a singer poised to sweep into a successful career. It started with the piano--kind of. Her tinkering ...

Article: Interview

A dialogo con Alessandro Galati

by Neri Pollastri
April 20, 2015

Alessandro Galati è un pianista fiorentino che può vantare una carriera estremamente ricca di esperienze in direzioni anche molto diverse -come testimoniato dai nomi di alcuni dei più noti musicisti con cui ha collaborato in modo continuativo: Kenny Wheeler, Arild Andersen, Dave Liebman. Oggi è possibile racchiudere idealmente la sua esperienza artistica nel ...

Article: Interview

Chris Smith: At The Intersection Of Scholarship, Performance and Pedagogy

by David A. Orthmann
April 7, 2015

In the introduction to his book Jazz Matters (University Of California Press, 2010), David Ake writes about bringing “together the practical side of making jazz, the pedagogical side of teaching it, and the academic side of writing about it." (p. 12) “Nothing but good," Ake adds, “can come if we increase the numbers of scholars who ...