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86

News: Interview

Artie Shaw, Three Ways

Artie Shaw has been gone since 2004 and he last played the clarinet in public around fifty years before that, so the people who heard him play must be diminishing day by day.  But he remains an astonishing musician and a public figure capable of stirring up controversies.  I offer three ways of looking at the King ...

114

News: Interview

Pianist Michele Giuliani Interviewed at AAJ

Pianist Michele Giuliani Interviewed at AAJ

Pianist Michele Giuliani--born in Baritone--is one of the emerging talents of the Italian jazz scene. After years of constant experimentation--from progressive rock music to funk and jazz--the 34 year-old completed Roots (Zeitgeist, 2009), the sum total of all his musical experiences, named for the diversity of influences and cultures featured in Giuliani's music. AAJ Contributor Achille ...

581

Article: Interview

Michele Giuliani: Widespread Roots

Read "Michele Giuliani: Widespread Roots" reviewed by Achille Brunazzi


Pianist Michele Giuliani--born in Baritone--is one of the emerging talents of the Italian jazz scene. After years of constant experimentation--from progressive rock music to funk and jazz--the 34 year-old completed Roots (Zeitgeist, 2009), the sum total of all his musical experiences, named for the diversity of influences and cultures featured in Giuliani's music. Giuliani ...

Article: Interview

Intervista a Tord Gustavsen

Read "Intervista a Tord Gustavsen" reviewed by AAJ Italy Staff


Ogni nota nella sua musica è essenziale e indispensabile al tempo stesso, una continua ricerca del “minimo" come forma solida dell'arte musicale. Una ricerca melodica che fonde elementi del folk scandinavo a musiche etniche di derivazione africana e caraibica. Lui è Tord Gustavsen, pianista norvegese tra i più affermati e interessanti della scena jazz europea contemporanea. ...

107

News: Interview

Herb Geller on Bill Evans

Herb Geller on Bill Evans

Following my interview series last week with alto saxophonist Herb Geller, I was curious about Herb's interactions with bassist Scott Lafaro in the late 1950s and his flute playing with pianist Bill Evans in 1972. It turns out Herb was the one who first introduced LaFaro to Evans, that Herb began playing flute only after relocating ...

141

News: Interview

Composer/Reed Multi-Instrumentalist Frank Glover Interviewed at AAJ...And More!

Composer/Reed Multi-Instrumentalist Frank Glover Interviewed at AAJ...And More!

Intelligent and outspoken, Frank Glover began playing clarinet when he was eleven years old. On entering college, he trained for nearly two years at Indiana University before striking out on his own; upon the independent release of Politico in 2004, he was signed by Owl Studios and the album was re-released under that label in 2009. ...

964

Article: Interview

Frank Glover: Going A Different Way

Read "Frank Glover: Going A Different Way" reviewed by AAJ Staff


Intelligent and outspoken, Frank Glover began playing clarinet when he was eleven years old. On entering college, he trained for nearly two years at Indiana University before striking out on his own; upon the independent release of Politico in 2004, he was signed by Owl Studios and the album was re-released under that label in 2009. ...

161

News: Interview

Drummer Mike Reed Interviewed at AAJ

Drummer Mike Reed Interviewed at AAJ

There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...

112

News: Interview

Pat Metheny Interview Now Online

Pat Metheny Interview Now Online

992

Article: Interview

Mike Reed: The Drum Thing

Read "Mike Reed: The Drum Thing" reviewed by Gordon Marshall


There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...


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