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BigSpoon's Chris Engel: Intention... And Spontaneity
by Ian Patterson
So much goes into a debut album—a lifetime of learning, experiences and myriad influences. The music that springs forth is also often shaped in subtle and unfathomable ways that are sometimes not entirely clear even to the composer. Some musical reference points may appear obvious, others much less so, and so it is with ...
Ramsey Lewis: Life is Good
by Jacob Blickenstaff
Some jazz aficionados might characterize pianist Ramsey Lewis' music as a gateway into more serious jazz, as if popular Lewis albums like The In Crowd (Verve, 1965) were meant to lead novice listeners to saxophonist Ornette Coleman's The Shape of Jazz to Come (Atlantic, 1959). But Lewis' commercial successes should not be viewed as a liability ...
Eri Chichibu: Discovering the Path from Psychology to Jazz and Crossing Reality
by Jane Kozhevnikova
Sometimes people decide to pursue a career in music early in their lives, but many artists go with a “normal" career until their passion for music wins. That happened to Eri Chichibu, a Japanese composer, arranger and pianist who started as a psychology major in Japan. She holds a bachelor's degree in Jazz Composition and Film ...
Interview/Preview: Marcos Valle at Birdland
Next week, if you are in New York, you will have a rare opportunity to see and hear a genuine bossa nova legend from Rio de Janeiro. After a three-year hiatus due to the pandemic, Marcos Valle is performing again at Birdland, from September 13 to 17. Marcos is the composer of So Nice (Summer Samba), ...
Franco D'Andrea Meets DJ Rocca: rimodulare i riff
by Giuseppe Segala
Il triplo CD Franco D'Andrea Meets DJ Rocca, pubblicato dall'etichetta Parco della Musica Records, rappresenta un ulteriore, significativo tassello nella vicenda artistica del pianista. Lo dice il titolo: si tratta di un incontro a due, fortemente voluto da D'Andrea, che arriva dopo il lavoro degli scorsi anni con DJ Rocca, scandito dall'album in trio con Andrea ...
Bill Charlap's Stardust
by C. Andrew Hovan
As was evident in his first trio releases for Criss Cross, pianist Bill Charlap is genuinely interested in beauty. In his hands, even the most overt swingers seem to find melody expressed as a prime ingredient, with a lithe use of space and dynamics providing the shading to his most personal expressions. While 2000's Written in ...
Meet Bill Charlap
by Craig Jolley
Songwriter Moose Charlap (father) and show business childhood He wrote lyrics to some things, not too many. He mainly wrote music, played piano, and sang. He wasn't a pianist per se--he sort of demonstrated his own music. I wasn't like a “show business brat." I just did what came naturally--some people I'd perform in front of, ...
My Conversation with Joey DeFrancesco
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in February 2000. Whatever can be said of Joey De Francesco, there is no denying his impact on his fans, many of whom lined up for hours at a local hole in the wall in my hometown of Fullerton to see the ...
Michael A. Levy: From Piano to iPad
by Jakob Baekgaard
It is a common perception that artists do their most innovative work when they are young and then gradually lose the spark of innovation in favor of a refinement of an already established artistic expression. There are, however, many artists who remain curious all their life and never stop being interested in the interplay between emerging ...
Creed Taylor, Incorporated: The AAJ Interview, Part 1-3
by Chris M. Slawecki
Part 1 | Part 2 | Part 3 Introduction Without the contributions of producer and entrepreneur Creed Taylor, the past, present and future of jazz would be differently written. Five decades ago, Creed Taylor produced some of Bethlehem Records' best albums, including sets by Charles Mingus, Kai Winding with J.J. Johnson, and ...
